“I wondered whether music might not be the unique example of what might have been — if the invention of language, the formation of words, the analysis of ideas had not intervened — the means of communication between souls.”
From In Search Of Lost Time, Vol. 5: The Captive & The Fugitive (1913-27) by Marcel Proust.
St Patrick’s festival Camden gig for the new face of Irish trad: Moxie
THE STRENGTH OF MOXIE who are playing on Saturday night in Camden Market during the huge St Patrick’s Day festival taking place all across London is in running with a tune and taking it in interesting directions chiefly via unobtrusive button accordion or bluegrass banjo, highly mobile ensemble passages vaulting through modal patterns, the band layering intricate melodic runs over intoxicating chord changes on ‘Mullaghmore’ a reference to the county Sligo seaside village in its title. Banjo comes through really prettily, in the dream-like atmosphere of ‘Drakeman’ the rhythm section wading their way through little faltering movements and shy steps. ‘Leads’ digs deep into traditional music the reel gradually transformed organically. A blast of fresh air.
A five-piece from Sligo and Limerick they were the talk of the country on their 2014 albumPlanted (Lyte Records) on which they fused free flowing wildly infectious traditional Irish music and lightly accented jazz-rock. Moxie are Ted Kelly on tenor banjo, Jos Kelly, button accordion/keyboards, Darren Roche, button accordion, Cillian Doheny, tenor banjo/guitar, and Paddy Hazelton percussion. The foot-stomping title track best shows Moxie’s formidable potential: swinging at a moment’s notice from trad (no not the Acker Bilk variety) to hint at Béla Fleck-like jazz and world music flavours via the wooze and swirl of a dubby electronic wash to open out to travel far from the strictures of a much more hidebound approach.