Stimulating one, this. Day After Day (Babel) is from bassist Olie Brice, freshly streaming. A quintet affair – completed by Human cornetist Alex Bonney, alto saxist Mike Fletcher, tenorist George Crowley and veteran Lee Konitz drummer Jeff Williams – last anyone much heard of Brice whose style straddles Henry Grimes and William Parker was back in March on Of Tides in duo with pianist Achim Kaufmann. 


Video of the quintet playing the second of the six tunes on the album

Day After Day is a lot more gripping. I liked its sense of free bop from the first few notes. I suppose loosely it swims, however slipperily or absurdly like a fish might clamber on to a bicycle, on a tide that first rose with Ornette Coleman and Don Cherry.

Very open, there is no info about the six tracks on the label site, Brice however, according to the annotation on YouTube wrote Red Honey Yellow Honey.

Crowley is playing much more free than you’d hear him on other recent albums (for instance on Can of Worms).

There is nothing particularly daunting about the wildness of what is on offer here although this is certainly adventurous experimental jazz.

Williams is disciplined and he and Brice manage to shape all the jaggedness of the beat and rhythm around the horn players to draw out scraps of melody that they then can run away with. Check Brice's slithery vital bass solo explorations on Interruptions No 1 at the heart of the album.