Drummer Lawrence Leathers who had great style and flair at the kit was best known for his work with Cécile McLorin-Salvant. More, via WBGO.

George Cables delivers a masterclass on his new standards strewn premier cru of a trio album I’m All Smiles issued by HighNote out this week, the great pianist in the company of Essiet Essiet on bass, and Victor Lewis, drums. Tracks are: Young at Heart, I’m All Smiles, Speak No Evil, Bésame Mucho, Ugly Beauty, Love is a Many Splendored Thing, Celebration, Three Views of a Secret, Thermo and Monk’s Mood.

A stand out of this week’s new releases comes from bass great Ron Carter who has collaborated with Tony-winning Def Poetry Jam co-founder/painter Danny Simmons on new Blue Note album The Brown Beatnik Tomes — Live at BRIC House, the album’s selections are drawn from Simmons’ 2014 book of poems and paintings The Brown Beatnik Tomes. Check ‘For a Pistol’ from the album, which is inspired by Amiri Baraka.

A delicious hitherto unreleased Swiss recording from 1999 named after an Ornette Coleman tune that Paul Bley had been playing since the Hillcrest days it is worth noting how different sounding this trio comes across when compared with today’s typical piano trio. This has far more of a fractured and abstract sense than most piano trios today who tend to be more rock or electronica-influenced and who often tend to lean towards a sweeter sense of melody. Bley, Peacock and Motian are never far away from bebop and yet there is nothing dated about their performance or approach here: Bley elegiac and hugely modernistic in his solos, Motian a scampering, engaged, presence leaving it to Peacock to find hidden spaces to draw out and angle the trio in a new direction as each tune develops.