Interesting tour coming up this... a UK premiere combining sound art, video, free improvised music with influences of minimalism, shockwave electronica and what the organisers refer to as “an unforgettable, immersive experience.” Fall-Out are World Service Project leader Dave Morecroft on keyboard/electronics plus Marco di Gabarro – drums/electronics and Simone Memé – video/visuals. Dates are: 27 April Take Over Festival, Colston Hall, Bristol; 30 April Number 39, Darwen; 2 May – Tin Arts Centre, Coventry; 3 May – The Regal Theatre Bar, Minehead; and 5 May Vortex, London.
Jazz singer Dwight Trible’s moves label on this his latest record just out to London jazz indie Gearbox (who have just signed Abdullah Ibrahim). Quite a gathering of musicians here including Kamasi Washington, Mark de Clive-Lowe and Miguel Atwood-Ferguson the sound is very much within the AfroFuturist mood at the moment and could sit just as easily as an Impulse record released in the 1970s because it has such a Pharoah Sanders/Leon Thomas vibe. The set includes a treatment of ‘Tomorrow Never Knows’ one of The Beatles’ most groundbreaking releases. There is plenty of power throughout not least because Trible, which another UK label Gondwana has done much to champion, is a very powerful singer. Trible is also a very involved singer who values tenderness, and he gives songs like ‘Brother Where Are You’ his all. And there is also something very reverent about the way he approaches his material, again part of the spiritual jazz sound he develops so effortlessly. The presence of Kamasi Washington is a big plus but by no means is this just a collection of star names. Think of it instead as easily one of the best jazz albums to date in 2019.