Reflective but there's more of a rock-out feel on 'Down on My Knees'. More From The Heart is a place where lyrics matter and an often poignant and self-critical group of qualities come through in the songs more than most. 'After You' is certainly a highlight - but maybe not all the songs are so striking. Nevertheless instant impact isn't the name of the game unless you are a hostage to the frisson of instant gratification. And no - singing trite throwaway scraps isn't anywhere here - surely a plus point for return listening longevity if not cheap kicks.
More from the Heart is certainly a well curated vehicle and snapshot for some of the best jazz singers around. Claire Martin produces again two years on from the more bravura Heart of Mine. More broadly reaching album vocalists also include this time around the great Irish singer Christine Tobin and room too is made for bluesy singer Charlie Wood who comes up with another of the tracks to latch on to - 'Human Kindness.'
A lighter voice such as Irene Serra's is OK in the blend. But if you are looking for more gravitas Tobin's rendition of 'Finding Your Feet' is far more preferable. Crooner Iain Mackenzie's contributions are a little bit too creamy but it's a swinging sound wrapped around 'What You Got' for sure. 'Scissors Paper Stone' featuring Noemi Nuti works sturdily - a surprise in its strength given what deceptively seemed to present as gauzy, featherweight dimensions and gentle - a watchword for the mood overall, again - strings response.
Supporting accompanists include Britjazz A-list jazzers pianist Nikki Iles, The Impossible Gentlemen guitarist Mike Walker, bass guitarist Laurence Cottle - who takes a well caught solo run on 'What You Got' - and top drummer Ian Thomas. Joe Giddey's cello lines on the Tobin feature 'Sleep My Darling' enhance the slight Mary Black redolent feel of the sound and recall Tobin's rapport with cellist Kate Shortt on the Yeatsian Sailing to Byzantium over a decade ago.
The songs don't all have a first listen impact and Lorraine's writing style in terms of the lyrics has a little of the Fran Landesman inflection rubbing off on him although his is not as caustic and sarky as Landesman can at her darkest be. There isn't much room for extensive improvisation, that isn't the point, and economy is a virtue in both lyrics and melodic shapes. The earlier Heart of Mine is the better album. But this is a faithful companion to delve into for hidden treasures once more.
Ross Lorraine, pictured - photo: rosslorraine.com
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