Relative newcomer Anna Gréta is both a pianist and a singer. And as ever the vocals in her case, dreamy, poetic, and quite folk music-like grab the attention. And yet as much it is the highly tasteful pianism of this Icelandic artist who lives in Sweden that appeals. The overall highlight of this just-released album is a setting of Robert Creeley's poem from the 1980s 'The Tunnel' that Gréta interprets sensitively on an album that is undeniably mournful and contemplative and yet stirs the soul even if the mood is unrelenting. Gréta's father saxophonist Sigurður Flosason contributes beautifully on this track subtle in the arrangement and the scampering drum line from Einar Scheving busies the song along. Gréta's understated but powerful voice lingers long and captures more than literal truth. Creeley lines ''Tonight, nothing is long enough—/time isn’t./Were there a fire,/it would burn now'' is both despairing and yet knowing that there is something possible better out there. And Gréta on this and other songs explores that mystery of outcome and more so intelligently in a fine introduction to her work. Anna Gréta, top. Photo: Birna Ketilsdóttir Schram
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