Anti-Brexit Stewart Lee and Asian Dub Foundation fundraiser 'Comin' Over Here' is a must

''The band were brilliant on the day of the shoot, between the two lockdowns, and jammed on John Coltrane’s version of 'My Favourite Things' between takes, which meant I got a private musical performance of one of my own favourite things in a year …

Published: 29 Dec 2020. Updated: 3 years.

''The band were brilliant on the day of the shoot, between the two lockdowns, and jammed on John Coltrane’s version of 'My Favourite Things' between takes, which meant I got a private musical performance of one of my own favourite things in a year where I have rarely seen anything live.'' That's huge Evan Parker fan and Vortex regular Stewart Lee in an article for comedy website Chortle on working with Asian Dub Foundation on their excellent collaboration reinventing Lee's sketch based on ex-UKIP leader Paul Nuttall's dyspeptic ramblings on foreigners generally. 'Comin' Over Here' is a fundraiser for Kent Refugee Action Network and is hoping to make no. 1 in the pop charts just as Britain finally ends the transition period later this week. Worth your support and a reminder through its satire that the Tory party who brought us the ''hostile environment'' and calamity of Brexit goaded into it by UKIP has a lot to answer for. Don't be fooled again, folks, especially the deeply deluded who voted for them in such large numbers a year ago. You know who you are.

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Javon Jackson, Déjà Vu

In the 1990s Javon Jackson's profile was at its height with releases on Blue Note such as When the Time Is Right, For One Who Knows and Good People. Here on Déjà Vu he sounds every bit the master that the Carthage, Missouri-born 55-year-old has …

Published: 28 Dec 2020. Updated: 2 years.

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In the 1990s Javon Jackson's profile was at its height with releases on Blue Note such as When the Time Is Right, For One Who Knows and Good People. Here on Déjà Vu he sounds every bit the master that the Carthage, Missouri-born 55-year-old has long since become. And these days his approach is even more imbued with wisdom on a good selection of not always over-familiar but definitely classic material served up here than ever. Released on his own label this picks up from For You released two years ago and is a quartet affair with pianist Jeremy Manasia, beautifully introducing Jackson on 'Autumn in New York,' bassist David Williams springy and stylish throughout and drummer McClenty Hunter sliding us into 'Limehouse Blues' in one of his big moments.

Jackson has a really believable sound that stems from his immersion in the Art Blakey universe as a young man when he was in the Jazz Messengers towards the end of Blakey's life. Jackson's version of Cedar Walton's 'Martha's Prize' certainly catches lightning in a bottle. There's a lot to savour here and I'll be lingering long over the tenorist's take on Wayne Shorter's 'Venus di Mildew' especially. Consider yourself very lucky indeed when you sit down to listen to this very fine album. Sit down? You might well be on your feet. On Solid Jackson