Jazz Connective: one Europe

Jazz Connective this week continues a vital mission. As EU and UK talks continue, and the hideous rattle of Brexit becomes a deafening din, the need to connect jazz scenes across Europe from Lyon, Ljubljana, Łódź, Helsinki and Dublin to Birmingham …

Published: 5 Dec 2020. Updated: 3 years.

Jazz Connective this week continues a vital mission. As EU and UK talks continue, and the hideous rattle of Brexit becomes a deafening din, the need to connect jazz scenes across Europe from Lyon, Ljubljana, Łódź, Helsinki and Dublin to Birmingham and London has never been more urgent.

Tonight, streaming, out of the Helsinki scene: Verneri Pohjola & Mika Kallio, 6.30pm

Tomorrow, all hail Łódź, Sunday 6th streaming: Kuba Więcek Trio + Marek Pospieszalski, 6.30pm

Monday 7th: from Birmingham the mighty Xhosa Cole + Rachel Musson + JoyBang streaming 8pm

Tuesday 8th: direct from Dublin streaming OKO + ROAMER + H-Ci 8pm

Wednesday 9th: laying it down from Ljubljana Oholo! plays Mnogobolje streaming 8pm

Thursday 10th: looking to London streaming Alina HipHarp Quintet 7pm

Friday 11th: up Périscope in Lyon streaming: Hermia, Ceccaldi, Darrifourcq 6.30pm

Saturday 12th: up Périscope in Lyon streaming: Ar Ker & Chromb, 6.30pm

Sunday 13th: up Périscope in Lyon streaming: Hirsute + Marthe, 6.30pm

Hipharpologically: Alina Bzhezhinska, top

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Stirring spiritual Sometimes I Feel Like a Motherless Child performed by Archie Shepp and Jason Moran streams

Drawn from the upcoming February 2021 Archieball album Let My People Go a stirring treatment of the spiritual 'Sometimes I Feel Like a Motherless Child' performed by Archie Shepp and Jason Moran is streaming. The spiritual dates back to long …

Published: 5 Dec 2020. Updated: 3 years.

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Drawn from the upcoming February 2021 Archieball album Let My People Go a stirring treatment of the spiritual 'Sometimes I Feel Like a Motherless Child' performed by Archie Shepp and Jason Moran is streaming.

The spiritual dates back to long before the song was first published in 1899. Widely covered down the decades I turn to Marian Anderson, to Mahalia Jackson, and above all to OV Wright inspired by hearing this superb new treatment by two giants of jazz: together, as one.