Joey Alexander, Warna

I don't think we have heard Joey Alexander's best work yet. However, his virtuoso qualifications have long been established and this is a beauty. Of course he is still very young and emerged as a child prodigy so seems already a veteran. His closest …

Published: 9 Mar 2020. Updated: 4 years.

I don't think we have heard Joey Alexander's best work yet. However, his virtuoso qualifications have long been established and this is a beauty. Of course he is still very young and emerged as a child prodigy so seems already a veteran. His closest equivalent is Julian Lage and really it is only in the last five years roughly that Lage's incredible talent has moved up on to a new plateau. (What I am stumbling towards here is that jazz is more than perfect virtuosity, it does not even need perfection. It is however a meeting of the spirits both in the band and how it connects with the audience whether at a venue or listening to audio in its humanity and transformation. That is when lightning strikes.)

His best album to date in the sense of going way beyond the technique carousel because he and we all can take it for granted Warna has a lightness in the voicings and the optimism of youth undimmed by grim setback that makes the trajectory of each tune shine. And yet we need the profundity of life and will have to wait for that to add in.

Caveat? I don't think he needed to cover Sting’s 'Fragile' (no one did that better, more sumptuously, in a jazz version than Freddie Hubbard and the tune has been done to death by 1980s nostalgics) although choosing Joe Henderson’s 'Inner Urge' was a good idea and is delivered in a stately, grand progess. The album title references Alexander's mother tonque Bahasa and means 'colour' and what that means to me here above all is a journey into the light and towards greater enlightenment.

Bassist Larry Grenadier and percussionist Kendrick Scott make everything look easy as does Alexander himself. He is born to play. Following the example of the great Ahmad Jamal the instrumentation includes a percussionist, Luisito Quintero no less (who has a cult following) with the twist in the presence of a sunny flautist Anne Drummond in the mix. Get this today. You'll marvel. SG

Out on Verve.

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Track of the day: Tidal Wave

Augurs well… Butcher Brown's profile is on the up signing to a big label in the States as discussed last week and the terrific lead-off title track from the Tidal Wave album is streaming. The piece is a William Jeffrey composition featured on Ronnie …

Published: 9 Mar 2020. Updated: 4 years.

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Augurs well… Butcher Brown's profile is on the up signing to a big label in the States as discussed last week and the terrific lead-off title track from the Tidal Wave album is streaming. The piece is a William Jeffrey composition featured on Ronnie Laws 1975 Blue Note album, Laws debut as a leader, Pressure Sensitive.

The hard blowing beefy tenor sax part is worth zoning in on. That's Marcus Tenney, who solos blisteringly against a sense of the 1970s initial electric piano sound instilled by DJ Harrison, a symphonic strings synth sound sampled from the Laws album introduced in the background with later woozy pitch bend passages loosening the sound up. The Butcher Brown rhythm section is completed by bassist Andrew Randazzo, guitarist Morgan Burrs fairly inconspicuous after his tasty initial interplay back in the intro and by alert drummer Corey Fonville.

Update to UK dates as well as the Band on the Wall date previously reported Butcher Brown are also playing Ronnie Scott's on 28 March the night before the Manchester date.