Kellylee Evans, Greenlight (EP), Enliven Media ****

Only an EP and therefore a certain statement of intent looking to the future but still once again sheer quality thrives over quantity. Singer-songwriter Kellylee Evans, Juno winner in Canada over a decade ago (the Junos are Canada's Grammys), Green …

Published: 28 Nov 2021. Updated: 2 months.

Only an EP and therefore a certain statement of intent looking to the future but still once again sheer quality thrives over quantity. Singer-songwriter Kellylee Evans, Juno winner in Canada over a decade ago (the Junos are Canada's Grammys), Green Light could be listened to as middle-of-the-road up-market R&B and pop. But there is more to it even than that. Especially on 'Everything' the EP comes into its own and of the five tracks is the pick mainly because of the unfolding jazz chord changes and Bob James-like touch of keyboardist Michael Shand. He also dubs his own trumpet line on the clapalong title track. Instrumental breaks are kept under wraps mainly. The latinate 'To Feel My Love' works well with Kellylee's own backing vocals simmering behind. Recorded in Ottawa and Toronto studios 'Not Today' has a kind of house music tramping beat to it and bounces along behind the vocal. If you're into UK singer Cherise, Anita Baker and maybe Randy Crawford you'll probably love this retro-1980s sound and these fine songs. We are and do. The groove's good from drummer Ian Wright, the beat shimmied into shape by bass guitarist Mark Godfrey. To reprise Kellylee's line on 'Everything' – ''destiny's calling.'' SG

Kellylee Evans, top. Photo via Bandcamp

Tags: Albums and EPs

The Kevin Brady electric quartet, Hawk's Well theatre, Sligo

It's not every day that you get to hear a winner of the Thelonious Monk prize. Winners (it's now called the Hancock) are a very elite collection of players. Seamus Blake, who since has worked with John Scofield and become a leader in his own …

Published: 28 Nov 2021. Updated: 2 months.

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It's not every day that you get to hear a winner of the Thelonious Monk prize. Winners (it's now called the Hancock) are a very elite collection of players. Seamus Blake, who since has worked with John Scofield and become a leader in his own right, won it going back almost 20 years. He was standing tall in sneakers at the front of the Hawk's Well stage with his vintage-looking tenor saxophone miked up in front of a mask-wearing ''small but exclusive'' audience, as his bandmate Bill Carrothers on Fender Rhodes electric piano (actually a Crumar), quipped. Dave Redmond was on ''electric bass'' as his bandleader completing the line-up Kevin Brady on drums termed the Live in Arklow don's axe. Blake wasn't resting on his laurels and produced a blistering display of elaborate highly detailed runs on Brady and Carrothers' material drawn from the quartet's album Plan B recorded before Lockdown and only out now and able to be toured.

The material is very convincing, soaked as it is in a 1970s Milesian vibe and the quartet drew on it entirely during this 90-minute set that opened with 'Airbourne' and followed with the title track. Carrothers was an engaged presence throughout and added a lot of colour to the material, leaning into the keys and stretching back as he squeezed every nuance out of them. Redmond came into his own more and more as the set went on and the material became more mobile as the early numbers had restricted his scalar movement instead requiring him to provide blocks of notes within the vamps. 'Suicide Squeeze' the best tune of all was kept to last and it was entirely worth the wait. SG

The Kevin Brady Electric Quartet all-Ireland tour continues tonight at Magy's Farm, Dechomet, making their debut north of the border, then Billy Byrne's, Kilkenny, on Thursday, Triskel Arts Centre, Cork, Friday, and Bello Bar, Dublin, Saturday. Plan B is in marlbank's top 20 albums of 2021, browse the list: here

Kevin Brady, top. Bill Carrothers, above left, and Seamus Blake