Moanin' bassist Jymie Merritt has died

Jazz Messengers bassist Jymie Merritt has died aged 93. His son Mike confirmed the sad news. Merritt's sound made jazz history with Art Blakey. It remains a joy on a whole raft of classic recordings. Inspired by Jimmy Blanton he worked with BB King …

Published: 11 Apr 2020. Updated: 4 years.

Jazz Messengers bassist Jymie Merritt has died aged 93. His son Mike confirmed the sad news. Merritt's sound made jazz history with Art Blakey. It remains a joy on a whole raft of classic recordings.

Inspired by Jimmy Blanton he worked with BB King in the 1950s and following a move to New York (he originally hailed from Philadelphia) worked with Art Blakey and the Jazz Messengers.

Blue Note are later this month releasing the hitherto unreleased Just Coolin', on which Merritt appears dating back to 8 March 1959. Note a track punning on his name called 'Jimerick'.

In the 1960s Merritt also worked with Chet Baker and with Max Roach, composing 'Nommo' which was on Drums Unlimited. With Lee Morgan he was on Live at the Lighthouse and wrote the piece 'Absolutions' recorded both by Roach and Morgan. Merritt also had his own band the Forerunners formed in Philly.

Photo of Jymie Merritt, Blue Note.

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Kenny Warren trio, In the Heat

Seven tracks that feel, certainly from a composition point of view, in their entirety like a first draft. As for the interplay again it is far from ideal, the beginning of a journey only and not an arrival. Kenny Warren, the trumpeter in this trio …

Published: 11 Apr 2020. Updated: 3 years.

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Seven tracks that feel, certainly from a composition point of view, in their entirety like a first draft. As for the interplay again it is far from ideal, the beginning of a journey only and not an arrival.

Kenny Warren, the trumpeter in this trio that he also leads, recording in Brooklyn last year, dominates too much and you feel a huge personality here but one that certainly needs a foil. Double bassist Matthias Pichler, managing to get a word in just about edgeways with his gutsy intro on both 'My Moments Subtle' and 'One Room in My Mind', and drummer Nathan Ellman-Bell seem to be too much in awe of him although they seem decent enough players. Warren's style (sort of a brassier Ralph Alessi, even Tomasz Stańko in some of the rawer passages) is at its most interesting in the more open obviously free-improv explorations. I get the nagging feeling, and yet shouldn't, but because the recipe of all the available ingredients is not quite right, of the need for a piano or guitar to add to the group sound. SG

Out now on Whirlwind. Rating: three stars. Photo of Kenny Warren: via Bandcamp.