Peter King quartet at the Vortex

From 2015. Bopper Peter King is quite simply Britain’s best alto saxophone player coming out of the tradition, and at the Vortex (King pictured just before the gig) showed once again not that any proof was needed at all why he’s a giant. It’s in the …

Published: 14 Nov 2019. Updated: 4 years.

From 2015. Bopper Peter King is quite simply Britain’s best alto saxophone player coming out of the tradition, and at the Vortex (King pictured just before the gig) showed once again not that any proof was needed at all why he’s a giant.

It’s in the interpretation, the way King can make the instrument speak, the personality he brings to each phrase like an actor changing his delivery to invade the character he is playing. Just playing tunes is not King's thing at all like all great instrumentalists. Meaning is all.

This was a unique occasion with Tom Cawley at the Steinway, the Peter Gabriel pianist whose own trio Curios returns later this year for a new record on Basho; plus ex-Jamie Cullum bassist Geoff Gascoyne, his walking fingers doing the talking; and completing the quartet a fizzing super-athletic presence on kit from Mark Fletcher, a regular at Ronnie’s with his band Fletch’s Brew.

A very full club gathered to catch King and we were all courtiers in his presence. The first set came to a lively conclusion with Wayne Shorter’s ‘Yes or No’ from JuJu. And earlier in the set King’s own tune ‘Getting On’ from one of the altoist’s best albums Speed Trap dating back to the 1990s was another slice of effortless mastery, the night still young. SG

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Wolfgang Muthspiel / Larry Grenadier / Brian Blade, Driftwood, ECM

From 2014. The Austrian jazz guitarist’s debut as a leader on ECM and what an auspicious beginning. Balancing careful understatement with intense and involved group interplay, Driftwood packs a considerable punch in the way atmosphere is built and …

Published: 14 Nov 2019. Updated: 4 years.

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From 2014. The Austrian jazz guitarist’s debut as a leader on ECM and what an auspicious beginning. Balancing careful understatement with intense and involved group interplay, Driftwood packs a considerable punch in the way atmosphere is built and improvisational direction unfolds. Muthspiel has played with both US bassist Larry Grenadier (Brad Mehldau trio, Fly trio) and drummer Brian Blade (Wayne Shorter Quartet, Fellowship) in separate playing situations including Drumfree and Friendly Travelers extensively over the years and for the three to come together makes perfect sense. Recorded in Oslo at the Rainbow studio in May last year, the session beautifully engineered by Jan Erik Kongshaug, the sound is simply stunning, Muthspiel combines two aspects of his playing personality here the acoustic classical guitar side (beautifully gathered on the engrossing ‘Cambiata’) and electric, the little effects like a garnish, on an album mostly made up of his own compositions although the title track, at producer Manfred Eicher’s suggestion, is a piece of free improvisation.

‘Lichtzelle’ was inspired by Olivier Messiaen, Muthspiel having immersed himself in the composer’s music over the years, and Muthspiel’s awareness of jazz history encompasses a tribute to fellow Austrian Joe Zawinul on the track ‘Joseph’, and to Michael Brecker on the final number, ‘Bossa For Michael Brecker’. Altogether it’s a very open, modern, and of-the-now album Blade stripping away the beat and relying on fundamental pulse for much of the drama of the tunes while Grenadier is so adept at allowing the sound to ring out clearly with the immediacy the music needs, the tender arco solo at the beginning of ‘Highline’ one of the many moments of sheer pleasure. SG