In our best of the year so far - see full list - it is significant because the Concord Jazz release marks a new chapter for post electronica post colonialist era jazz-rock. Whether London Brew will tour as a band or not is unclear. The album takes the Miles Davis jazz rock epic Bitches Bew as part of its creed and belief system as well as its nominative manifesto. But apart from Dave Okumu's role - the John McLaughlin of the project - there isn't any obvious or even any connection at all to the obvious style of Bitches Brew or more to the point any exact idiom. What you have here instead is a band of players in a state of the art studio with highly creative producers and engineers on hand telling their own truth, living their best lives in a post-post-post electronica alt-rock universe fed by jazz language when sadly much of the essential language out there has been mothballed to the museum or lives on only in the tribute band circuit. Rather like a book that has a dedication to a great one at the beginning the pages that follow are the interesting bit and completely London Brew's own narrative. Nubya Garcia, Shabaka Hutchings, Okumu, Theon Cross, Benji B, Tom Skinner and more are involved most of whom are significant leaders in their own right and actually tear up the book only keeping a torn reference to Miles out of respect. Think of the project less as a thesis about the strength of the dynamic UK jazz scene because it is that but more quite simply a work of art because it certainly is. Dave Okumu, photo: stock publicity shot. Out on Friday

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