This week's gigs

Mario Caribé Royal Conservatoire of Scotland, Glasgow Monday 20 February Andrew McCormack trio The Irving Studio, Everyman Theatre, Cheltenham Mon 20 Feb Ezra Collective Opium, Dublin Tuesday 21 Feb Huw Warren Bristol Music Club, Bristol Wednesday …

Published: 20 Feb 2023. Updated: 14 months.

Jim Watson on terrific form with Tessa Souter earlier in 2023 is the pianist here with Starace

Labour support gig by the great Liane for Hastings and Rye prospective parliamentary candidate Helena Dollimore

GIG OF THE WEEK

Wonderful live it's been a while since we caught Michelson Morley, some seven years, but the memory lingers long. Back then Aether Drift was long gone and Dan Messore was fully in the band, the Indigo Kid guitarist who in a way performs a Christian Fennesz-like role in a quartet that thrives on open improvisation contoured by effects triggered by leader/composer Jake McMurchie and Andy Sheppard Hotel Bristol drummer Mark Whitlam at a gig in the Vortex. McMurchie, on tenor and later soprano saxophone, is best known for his time in Get the Blessing. Michelson (pronounced “Michael-son”) Morley sound very different, Whitlam, an exciting source of rhythmic invention, was playing a bit like recent Robert Plant/Strobes drummer Dave Smith although the Strange Courage context on that occasion was a quieter less thunderous sound, the volume ramped up towards the latter part of the set. It could have got much louder to even better effect, Whitlam’s playing enhanced by unobtrusive use of a Kaoss Pad. The best part of the set was the avant riff-led section initiated by double bassist Will Harris who like Whitlam plays in the excellent Moonlight Saving Time. When Messore took a drum stick to his strings, scraping new slithers of resonance to slide and smear over the ensemble sound, we were entering a parallel dimension.

Super sized up from the trio, last heard just a few months ago from super busy bassist Fergus Quill, it's raucous stuff and fairly rough around the edges in places on their new self titled release but certainly full of a Zornian spirit and a certain excellent anarchy in the thinking. This Leeds lot recall Loose Tubes more directly than big brothers from above the Watford Gap, Beats & Pieces. Quill and the quorum are where it's at for big band right now.

Pianist Greg Foat has a crack band with him down in Dorset - The Invisible's Tom Herbert, Binker Golding from Binker and Moses and Kokoroko's Ayo Salawu.

Shri Sriram Photo: via bmusic

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Ben Wolfe, Unjust, Resident Arts ***1/2

Unjust rewards you with great tunes and creates its own world. And for sure there are engrossing straightahead sounds here landing in a world where Wynton Marsalis is the presiding spirit given his massive contribution to acoustic swinging jazz for …

Published: 19 Feb 2023. Updated: 14 months.

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Unjust rewards you with great tunes and creates its own world.

And for sure there are engrossing straightahead sounds here landing in a world where Wynton Marsalis is the presiding spirit given his massive contribution to acoustic swinging jazz for decades.

US bassist Ben Wolfe is known for his work with Harry Connick and both Branford and Wynton Marsalis. I recall hearing Wolfe within the boisterous Connick big band making a firm impression at a show in the Royal Albert Hall in the 1990s. He has been making records under his own name since then. But it's been some four years since his last album, Fatherhood. If you are into the more prolific Boris Kozlov you will feel right at home here.

New Orleans icon trumpeter Nicholas Payton makes his presence felt from the first notes of Unjust on 'The Heckler'. And there's sinuously appealing vibes from Blue Note recording artist Joel Ross on 'Hats Off to Rebay' that sounds like a tune you'd hear in the soundtrack of a film where cat burglars are shinning down a drainpipe. The piece gets a shorter reprise later. Ross also steals the show on 'The Corridor'.

The heavily vibes flavoured album takes a pensive turn on 'Lullaby in D' with a stand-out Nicole Glover sax line. The Unjust personnel is completed by saxist Immanuel Wilkins, while pianist Addison Frei, whom you may recall from a fine Mark Lewandowski album a few years ago, and the great Orrin Evans alternate. Aaron Kimmel - excellent with singer Naama Gheber on 2020's Dearly Beloved - is on drums.

Overall an album that belongs as much to the jazz made 50 years ago (perhaps it's too retro for some) as it does today intersecting between the world of the Modern Jazz Quartet and the burnished tones of Art Farmer in benevolent congress. The pick of the tracks is in the beautiful ache the horns create on 'Sparkling Red' where Wolfe solos, a soft muffled tone to his knowing sound, plucking notes from the air in reliably stately and authoritative fashion to the manner born. SG