Trilok Gurtu, One Thought Away, Jazzline ***(*)

The shadow of 1970s IndoJazzFusion falls over a wide spectrum of music whether jazz, classical music or shaped for the dance floor and any number of commercial hybrids feeding into even more disciplines across the performing arts. And tabla titan …

Published: 15 Feb 2023. Updated: 14 months.

The shadow of 1970s IndoJazzFusion falls over a wide spectrum of music whether jazz, classical music or shaped for the dance floor and any number of commercial hybrids feeding into even more disciplines across the performing arts. And tabla titan Trilok Gurtu, whether performing with icons of jazz such as Jan Garbarek and John McLaughlin or releasing dozens of albums down the years under his name, has already left considerable entries in the dictionary or should that be dictionaries of the music. One Thought Away is typically accessible with an incendiary furious driving style to it on the one hand and a thoughtful spiritual side on the other.

From Usfret in the late-1980s through to the excellent God is a Drummer in 2020 there is an incredible span of music already in the can. And here it's yet a further inexhaustible extension of the elemental philosophy that the Mumbai born Gurtu, 71, learnt from his singer mother.

Looser than ever this studio affair that finds Gurtu improvising on not just tabla but across a spread of instruments notably utilising his Tony Williams-style drumming approach and that finds him make use even of a customised string/percussion instrument called the Basic 1 in the search for new sounds.

Dominated by the 'No Fear' Suite tracks the album is co-produced with Carlo Cantini and Robert Miles. Miles worked with Gurtu almost 20 years ago on the sparkling Miles_Gurtu and the magic created in those days is ignited in spectacular fashion once again in a voyage through the discipline of Konnakol and beyond as if Gurtu was playing music for the very first time.

'So Happy' is streaming ahead of release. The full album is out on 3 March

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John D'earth, Coin of the Realm, Cosmology ****

When something really connects a journey begins. So digging deep having liked this latest album a whole deal embark with us on a trip way, way back as listeners together searching for more. John D'earth is on some albums with cult, deeply …

Published: 15 Feb 2023. Updated: 14 months.

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When something really connects a journey begins. So digging deep having liked this latest album a whole deal embark with us on a trip way, way back as listeners together searching for more.

John D'earth is on some albums with cult, deeply revered, guitarist Emily Remler (1957-1990) - the former wife of Monty Alexander - in the 1980s. Check out in a muted guise the consummate sense of jazz feeling the apostrophised one brings to Sam Jones' quick witted 'Del Sasser' on 1983's Transitions for instance.

Or, far more recently but still two decades ago, heard with the much missed piano influence to many - including Julian Joseph and Trevor Watkis - Mulgrew Miller. And, on the record too, alongside the great Gonz, Jerry Bergonzi, there's D'earth again shining brightly on the must-hear Restoration Comedy from which the bass-led 'Dawn' is a peach. D'earth, 72, so achingly even Tom Harrell-like and perfect on this new album has an everyman poetic touch leading his quintet of players who joining him are: tenor saxist J. C. Kuhl, who is very expressive on the title track; pianist Daniel Clarke; bassist Peter Spaar and the great new generation drummer Devonne Harris aka DJ Harrison. The tunes, all D'earth's, are first class and stay with you long after the record ends. He belongs in the same bracket as top Belfast trumpeter Linley Hamilton as well as the aforementioned Harrell. And all these great players share a love of hard bop coming from the always ready for Freddie immortal Hubbardian universe and their different sense of tightly knit melodicism that oscillates and lingers long to reach the ineffable soul within.