Think about that key word 'calloused': the pain, the friction, a sore, the hardening. The hurt.

Ambrose Akinmusire has an incredibly pure trumpet sound, a big range and when he penetrates the really high regions he manages not just to middle every note but to find an interpretative voice, like an actor finds a new character and that is why there is so much drama to his work with his longstanding band, drummer Justin Brown, pianist Sam Harris and bassist Harish Raghavan.

He is a tragedian. In that mask there is a life wisdom and you get that on this important record which is to be released in June.

To pick one tiny detail that enlarges to reveal a vista: 'Roy' like a hymn is gorgeous. It is a tribute to Roy Hargrove and like the whole record knows the meaning of the blues and yet it's the blues you've never heard in your life before and works on so many different levels, often a highly avant garde statement yet delivered by using a communicative method expressed through the discipline of improvisation inherent in the freedom and DNA of jazz, that thing about hurt, and triumph over it, runs through the album like a watermark.

Stephen Graham

Ambrose Akinmusire top. Photo: via Blue Note