The Melody Gardot style is dark, less extravagantly possessive of a Piaf-like enchantment that nevertheless hovers in the mind however insubstantially that then morphs to float sensuously via a curiously individual La Gardot twang towards a Patsy Cline-like atmosphere and then back deep into a world that sits there as shimmering and meltingly as a Lady Day.
On this souvenir summary of a record Live In Europe (Decca ****), which was released earlier this month, her band is allowed to jazz improvise – has to, more like it, in the DNA of the arranging.
Recorded on tour from 2012-2016 it is a decade since Worrisome Heart when she first surfaced. 2009’s My One And Only Thrill went into the stratosphere. Of all her records it was Currency of Man on which gospel soaked ‘Morning Sun’, above, the subtle underlying rhythmic hint transitioning figure from the double bass around the 7 minute 20 seconds mark of this absorbing version that leads into the blithely spiritual Mbube-hinting free form vocal response, also appeared. Pick of a highly captivating album among a number of plums is an elegiac ‘The Rain’ given the way the band run and run and the singer soars.
Blue Note do deal: They partner with Deutsche Grammophon in America and Canada to put the Nordic noir of Danish singer songwriter Agnes Obel out there.
The Obel style is certainly of appeal to even the most casual Kate Bush fan.
Don Was, Blue Note president, says: “Agnes is a profoundly imaginative and soulful artist. All of us at Blue Note Records are honoured and thrilled about the opportunity to present her music to US audiences. I’m really looking forward to hearing her new music and am certain that whatever she creates next will emanate from an inspired, honest and unique place.”