A brooding, serious album that has more than an array of great moments. Shrouded in the singer-songwriter achievements of 1970s pop, rock and folk these jazz settings of originals are thoughtful, intense and very, very humane. Reader: a ringing endorsement follows.
The Babel label renaissance that began with Riversphere last year continues at pace with this dreamy multinational Eurojazz group release from Red Kite that has roots in London jazz. One of 2026's best albums so far, clearly, there's plenty in the pot, no jarring sense of a postlude at all to burden the sound nor repetitive noodle evident anywhere in play.
An event release. A giant of British jazz piano returns with a bangingly swinging trio exhibition, on what is blindingly obviously a milestone recording.
Write it in nadsat if you prefer. But Alex and his droogs won’t get the music of Henrietta - mercifully. Fact rather than dystopian fiction. There’s an International Anthony Burgess Foundation Hetta Falzon show in Manchester in March marking the full release.
Compared to what? Feelgood no nonsense sax sounds empathetically accompanied from the Snarky Puppy sax honcho, paying tribute intelligently even while sidestepping core Eddie Harris material. Reader it works.
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