Walk with the spirits, talk with the spirits: Even better than live, what a seance of an album - AfroBrazilian pianist/keyboardist composer all round polymath Amaro Freitas was good at Jazzahead last year especially the more Coltranian he went - but one giant leap beyond, Amazonian ''homage to the forest'' Y'Y is just about the best album we have heard a month-and-a-half into 2024 (closely followed by the new John Surman album Words Unspoken, also five-star calibre which is out today) - the album title is a word from the Sateré-Mawé dialect of the Mawé language, an indigenous language of his homeland - the brilliant title track features Birmingham Britjazz icon Shabaka Hutchings on flute of course these days in duo - he's as much a monster flautist as he is a saxophonist - with Freitas' vocal and turns into quite a thrashing stomp of a thing. Overall the album is big on serenity, with an orchestral sense that is highly original and live you only grasp a tenth of what's here. The Brazilian is a storming pianist by the way, there is a frisson to his sound - and it's not snoozy and quiet at all. Other guests include Chicago eminence the great Jeff Parker; and there's Brandee Younger, suitably celestial, on 'Gloriosa.' Another standout is 'The Glow.'
The reverb soaked 'Mar de Cirandeiras' that references the culture of Freitas' home state Pernambuco and jazziest of all the tracks with its engaging triple-metre feel, the flying McCoy Tyner-like going-fourthisms found in the piano line of 'Encantados' with its chunky bass riff and sheer flow in the modulations, from the album are streaming ahead of the full release of Y'Y on 1 March
Tags: Reviews