Andy Emler, Claude Tchamitchian, Eric Echampard, The Useful Report, La Buissonne ****

I missed this grand and inspiring piano trio release when it emerged a few weeks ago so make up for lost time here. Pianist Andy Emler I've long admired and his maximalist vision evident straight away on 'The Document' is compelling throughout. …

Published: 11 Mar 2022. Updated: 2 years.

I missed this grand and inspiring piano trio release when it emerged a few weeks ago so make up for lost time here. Pianist Andy Emler I've long admired and his maximalist vision evident straight away on 'The Document' is compelling throughout. Boisterously accompanied particularly by drummer Eric Echampard this isn't bloodless quietist trio jazz by any means and of course sonically it sounds wonderful given that it was recorded in one of Europe's best jazz recording studios (the self-same Buissonne in the south of France that gives the issuing label its name) by the great recording engineer Gérard de Haro. There is a freshness to the writing here and tremendous wiring to the beat cooked up by bassist Claude Tchamitchian and the panorama the trio explore is considerable, venturing effortlessly into the avant-garde on 'The Lies' but just as often rocking out shamelessly (as on 'The Resistant') or grooving in a blaze of activity. An existential gem that deserves far more notice than it has hitherto received. Discover that there is such a thing as a Useful Report after all. SG

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Walter Smith III and Matthew Stevens, In Common III, Whirlwind ****

Up there with the best of 2022 to date In Common III is a textbook example of the way ahead for hard bop and beyond-based approaches anchored by the incredibly loose rhythm section of Terri Lyne Carrington, Dave Holland and Kris Davis. Guitar and …

Published: 11 Mar 2022. Updated: 2 years.

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Up there with the best of 2022 to date In Common III is a textbook example of the way ahead for hard bop and beyond-based approaches anchored by the incredibly loose rhythm section of Terri Lyne Carrington, Dave Holland and Kris Davis. Guitar and sax-led the direction of the music manages to harness more oblique passages say on 'Oliver' with less complex melodic sections that allow space for some fine thematic composition and the ingenuity of the improvisers at work here. It's not all deadly serious by any means and you get a fun theme like 'Hornets' as part of the recipe of success. Kris Davis sounds amazing at the beginning of 'After' and her contribution throughout is a big plus. Smith's balladic sense is strong on a track such as 'Lite' and it's extraordinary the pictures painted by the electronic contortions on the same track that lifts the album effortlessly into a futuristic space. A must for any self-respecting jazz fan, speaking of now!