David Preston, Purple / Black Vol 1, Whirlwind ***1/2

Not at all a thundering chops fest on steroids Purple / Black Vol. 1 is thoughtful, highly intelligent sounding developmental small group play from a quartet of significant players. Much preferable to Preston/Glasgow/Lowe's Something About Rainbows …

Published: 4 May 2023. Updated: 11 months.

Not at all a thundering chops fest on steroids Purple / Black Vol. 1 is thoughtful, highly intelligent sounding developmental small group play from a quartet of significant players. Much preferable to Preston/Glasgow/Lowe's Something About Rainbows pianist/keyboardist Kit Downes sounds different here, far more pared back than usual although he occasionally slips off the leash. David Preston - also known for his work with singer Ian Shaw in one of Shaw's best periods - renders 'Susie Q's' warm and Frisellian as is 'Salem Ascending' with its lovely woozy harmonising interplay between Preston and Downes. But there is also a lot of prog verging on mondo Holdsworth or areas too that border on jazztronica ('Cassino Dream') where Preston breaks through deliciously with some choice licks. The drummer here is Seb Rochford who with Downes has delivered one of this year's best albums A Personal Diary. The two contribute a lot in a group size here twice as large and where the writing is not Rochford's but Preston's - and valiantly questing it is too. Six-string bass guitarist Kevin Glasgow is a formidable player and completes the quartet. This setting isn't about showing off: tunes are quite oblique and intriguing rather than intense and fraught. You might not get all that this album has to offer on a first listen but patience is certainly rewarded. The best groove from Rochford is on 'Cassino Dream' but groove is only part of the panoply of approaches this inventive album dips in and out of. David Preston, photo: Whirlwind

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Matthieu Saglio, Voices, ACT ***1/2

French cellist Matthieu Saglio who lives in Spain has a core quartet here and a range of very different singers appearing on a wide ranging selection of tracks - the great Susana Baca, Alim Qasimov, Natacha Atlas, Nils Landgren, Wasis Diop, Anna …

Published: 4 May 2023. Updated: 11 months.

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French cellist Matthieu Saglio who lives in Spain has a core quartet here and a range of very different singers appearing on a wide ranging selection of tracks - the great Susana Baca, Alim Qasimov, Natacha Atlas, Nils Landgren, Wasis Diop, Anna Colom, Camille Saglio and Vega Tomás. Given this big spread of very different approaches it is natural that some songs appeal more than others.

Stylistically this is not strictly any genre, rather elegant concert hall music that dips in and out of many styles from all over the world (call this ''world music'' if you must) and sometimes draws on jazz language, sometimes not so much or at all. In some ways Voices is like a generously unfolding menu with lots of main courses given the number of inputs but anchored by Saglio with his band of percussionist-drummer Steve Shehan, pianist/keyboardist Christian Belhomme and violinist Léo Ullmann as the continuity and guide. The throbbing groove and the vocal from Senegal's Wasis Diop on 'Temps Modernes' stand out as too does Belhomme's use of Fender Rhodes electric piano on the soppy 'For The Love That We Feel'. Susana Baca's vocal full of grandeur and her signature grace on 'Ponte un Alma' is sublime - Belhomme's contribution on the same song does much to also ably sketch a spectrum of emotions in tandem and also proves so very humane.

Matthieu Saglio, photo: Gabriel Rodriguez/ACT