From January 2013. Lineage made their London debut in Hideaway and this was only their second gig ever, the Streatham club had a busy Saturday night feel, as sleet fell softly outside.
With a front line of trumpeter Byron Wallen, and saxophonist Tony Kofi concentrating on alto saxophone and soprano sax, with a rhythm section of fine Mulgrew Miller-influenced pianist Trevor Watkis, bassist Larry Bartley, fresh from a date with Skydive at the 606, and UK-based American drummer Rod Youngs, like Bartley and Kofi, a member of the great Abdullah Ibrahim’s band Ekaya.
The Collins Dictionary defines the word ‘Lineage’ as meaning in one primary sense “direct descent from an ancestor, especially a line of descendants from one ancestor”, and both as a diaspora band united in shared musical and cultural approaches, and as stylistic descendants of some of the giants of jazz from the hard bop years and their modern day counterparts, the band succeeds on both fronts as it does on its own terms as top class players. It’s also a meeting of old musical friends, as for instance Kofi and Wallen go way back to the heyday of 1990s hard bop band Nu Troop, and you can tell when two instrumentalists have a close understanding as they know each other’s moves and can read each other’s direction beyond the letter of the closely arranged often intricate material as here. Kofi said he couldn’t think of anyone better to play the trumpet part on his ballad ‘A Song For Papa Jack’, which appeared on Kofi’s acclaimed 2006 album Future Passed, the song dedicated to Tony’s father who died 15 years ago, and Wallen played it beautifully.
Talking to the audience later in the set Wallen made the astute comment: “Music is about relationships”. And that’s something audiences and musicians neglect to remember sometimes, but this band doesn’t in the broader sense even for one moment. Bookended by Woody Shaw tunes, opening with ‘Sweet Love of Mine’ and culminating at the end of the first set in Shaw’s classic mover, ‘Moontrane’ (Byron explained the title by saying amusingly: “Woody Shaw had a dream of Coltrane riding a bicycle on the moon”). Other set highlights were Tony Williams’ ‘Citadel’, heard on the much missed drummer’s 1980s Blue Note quintet album Civilization, here featuring Trevor Watkis on fine form as he was throughout, especially later on his own tune ‘With Substance’, which featured Larry Bartley and the deep throb of his bass was captured accurately by the club sound system, while Youngs’ cymbals were crisp and clear in the body of the big room. This band just has to be heard. SG.