Magic Peterson, Sunshine, MPS

From 2016. A compilation of tracks from the German MPS label, the clue is in the title as the compiler is Gilles Peterson. Bookended by Don Ellis and Wolfgang Dauner tracks of course it’s tasteful: it has the DJ’s name on it. Chief in this regard …

Published: 13 Nov 2019. Updated: 4 years.

From 2016. A compilation of tracks from the German MPS label, the clue is in the title as the compiler is Gilles Peterson.

Bookended by Don Ellis and Wolfgang Dauner tracks of course it’s tasteful: it has the DJ’s name on it.

Chief in this regard the inclusion of a Mary Lou Williams “dinner-jazz”-friendly version of the Gershwins’ ‘It Ain’t Necessarily So,’ is a must as is the rare ‘White Magic’ from the John Taylor trio’s Decipher, the latter worth getting for alone. But as it is a CD bonus track, craftily, you might have to, making do, if you are an impecunious and equally time-poor trio head especially as the original vinyl (ideal format for this kind of music) is nigh on impossible to find for less than the price of a slap-up meal at a top restaurant. One track is enough to go trawling for Decipher in the suburbs at the Last Record Shop Still Standing, you never know, but, really, dream on.

Sold on Gilles Peterson’s name, DJs of course are artists too, the audiophile-friendly superb sound and consummate taste of MPS and the jazz artists featured are he’d be sure to admit the true stars. But kudos once more, nuff respect, to conjure the Coronet Street days of Straight No Chaser’s Paul Bradshaw, to Peterson once more. After Impressed blew even the most curmudgeonly away all those years ago he’s making a habit of it.

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Mark Jennett, Everybody Says Don’t, Jazzizit

From 2014. Jazz singer Mark Jennett with his band of bassist Geoff Gascoyne, pianist Rob Barron, drummer Sebastiaan de Krom, trumpeter Martin Shaw, and saxophonist/flautist Andy Panayi: Opening with the Stephen Sondheim title track a song that …

Published: 13 Nov 2019. Updated: 4 years.

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From 2014. Jazz singer Mark Jennett with his band of bassist Geoff Gascoyne, pianist Rob Barron, drummer Sebastiaan de Krom, trumpeter Martin Shaw, and saxophonist/flautist Andy Panayi: Opening with the Stephen Sondheim title track a song that featured in the second act of the 1960s musical social satire Anyone Can Whistle the horns riff energetically against the up-tempo vocal line.

Jennett has a soft light voice with good diction that compares a little to Ian Shaw’s sound and there’s plenty of mobility in his jazz referencing beyond his show sound. The Bacharach/David element of the album (‘Are You There [With Another Boy]’ and ‘Wives and Lovers’) is where Jennett emerges best, the band responding especially well to Gascoyne’s quite superb arrangement of ‘Wives and Lovers’.

Barron’s stealthy opening to ‘Some People’ sets the atmosphere of the song very strongly, and Jennett develops a nuanced hesitancy in his interpretation to match. Juxtaposed against the gospelly chords of ‘There’s Gotta Be Something Better Than This’ Jennett easing into the song, later ‘How Long Has This Been Going On’ moves a little bit too much into the laidback cabaret domain despite the fresh little shuffle from de Krom at the beginning, but Jennett is more convincing on Cole Porter’s ‘Just One of Those Things’ one of the more serious interpretations on the album.

Jennett folds in songs by Paul Simon, Jimmy Webb, and Randy Newman to sit with the jazzier Great American Songbook treatments, the Simon song ‘Train in the Distance’ particularly coming off well. I wasn’t so keen on the overly syncopated ‘Slow Boat to China’ at the end however Jennett is worth discovering, and there’s plenty of interest to enjoy provided by both singer and band.