Ronnie Scott's £3,000 grant for West Midlands jazz

Ronnie Scott's charitable foundation has allotted £3,000 to Town Hall Symphony Hall in Birmingham renewing its already established commitment to support emerging jazz musicians in the region. More than 100 children and young people in 2020-21 will …

Published: 2 Mar 2020. Updated: 4 years.

Ronnie Scott's charitable foundation has allotted £3,000 to Town Hall Symphony Hall in Birmingham renewing its already established commitment to support emerging jazz musicians in the region. More than 100 children and young people in 2020-21 will gain the opportunity to learn and develop their musical ability through the programme.

The Halls' development programme supports children and young people in Birmingham and the West Midlands aiming to develop their jazz musician and performance skills. Fatine Boumaaz, head of the Ronnie Scott’s charitable foundation, says in a statement issued by Town Hall Symphony Hall: “The work that THSH does to help develop and support new talent in music is vital, and we can’t wait to see what they do in 2020”. Mary Wakelam Sloan, Jazzlines programme manager says: “Their grant will enable us to offer a perfect entry route for young people from across the city and the West Midlands into the diverse, exciting world of jazz performance.”

Tags:

Andreas Schaerer & Hildegard Lernt Fliegen, The Waves Are Rising, Dear!

If there are any significant high profile awards for arranging this year, ones anyway that treat European artists on a level playing field with artists from the US, eco-themed The Waves Are Rising, Dear! will surely be in the running. The clever …

Published: 1 Mar 2020. Updated: 4 years.

Next post

If there are any significant high profile awards for arranging this year, ones anyway that treat European artists on a level playing field with artists from the US, eco-themed The Waves Are Rising, Dear! will surely be in the running. The clever thing here is the way vocals and instrumental lines intertwine and manage to be experimental without actually exposing that intent.

Andreas Schaerer's voice (akin to the approach in the sense of deconstructing song pioneered by Theo Bleckmann) is as much adopting the role of narrator as singer and he shepherds the horn players and rhythm section skilfully through many twists and turns. Also interesting is the fact that Soweto Kinch's lyrics crop up on one of the 9 tracks and unusual to find his work on an album led by another artist. Perhaps we will see more of that from Kinch. Very much a concept album delivered in an unpreachy way, in terms of highlights turn to accordionist Vincent Peirani's guest spot and a gorgeously elfin vocal by Jessanna Némitz both on 'Embraced by the Earth'. SG

Out now on ACT.