Streaming Wayne Krantz

It is not every day that anything from Wayne Krantz comes along. What is so special about the guitarist? Well ask Phil Robson, or put another better way ask a guitar innovator why they listen to other guitar innovators. It is hard to think of …

Published: 23 Dec 2019. Updated: 4 years.

It is not every day that anything from Wayne Krantz comes along. What is so special about the guitarist? Well ask Phil Robson, or put another better way ask a guitar innovator why they listen to other guitar innovators.

It is hard to think of anyone who can incorporate ''harder, louder'' rock into post-bop and still retain a subtlety and sophistication to crucially develop a vocabulary that would put pocket editions of the Merriam-Webster dictionary to shame in terms of contents.

What do we know about Write Out Your Head so far?

Not a lot to be frank. However, It is a studio album and will be released in a few weeks' time.

The most important thing to do first up rather than reading lots of old press clippings is to listen to the lead-off track. Chris Potter on tenor saxophone solos extensively on 'Kulturny' the lead-off track although listen carefully and there are intertwining solos underneath and that is part of the Krantz appeal.

Layers within layers swirl, listen closely what Keith Carlock on drums is doing while Krantz on guitar interjects. While there are different bassists on the album it is expat Englishman in New York the former cricketer Orlando Le Fleming on bass guitar here and as the track unfolds you'll also detect tiny percussion, scraps of electronics and a more African vibe late on as the harmonies lean temporarily towards crypo funk before returning to the main theme.

Complex music, nonetheless there is a shard of unsentimental melodicism that glues the narratives together built around a tiny motif that Potter does inventive things with to express. Released on the Abstract Logix label, one of the main quality jazz-rock/Indo-fusion labels around and who Krantz has recorded for before, back in 2014 again on the same label Krantz put out his last studio album Good Piranha Bad Piranha but Nate Wood is absent this time. Besides Le Fleming, Krantz has recruited quite a few bassists to dot about on the record and who are Will Lee, Tim Lefebvre (who also popped up on the eralier record) and the great Pino Palladino and retaining drummer Keith Carlock, and vocalist Gabriela Anders. Krantz (born 1954) hails from Corvallis, Oregon and burst on to the New York scene in the mid-1980s and made his first album as a leader in 1990. He has played with Carla Bley, Billy Cobham, Michael Brecker and Steely Dan among others but it is as a leader that he is at his most interesting. Other track titles are: 'Well-Spoken Astronaut,' 'Xandea,' 'High 70s,' 'Write out Your Head,' 'Ride,' 'Hello World' and 'Magic 44.'

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2019 Highlight: Junius Paul, Ism, International Anthem

Because free-jazz in the late-1950s and early-1960s was so far ahead of its time its current incarnation that involves young players adopting the style and changing it to suit their own inclinations, is another point of departure and you get that …

Published: 22 Dec 2019. Updated: 4 years.

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Because free-jazz in the late-1950s and early-1960s was so far ahead of its time its current incarnation that involves young players adopting the style and changing it to suit their own inclinations, is another point of departure and you get that here. In other words all these decades on music makers actually are beginning to make better sense of the new thing and not be either in awe of it or puzzled by it so much to do anything creative with it. What bassist Junius Paul is doing is something fresh and interesting, however there is a certain reverence at play throughout Ism.

Say your jazz starting point is Charlie Haden or Malachi Favors then you will be on your way to Paul. The audio sound is very un-high tech which again is refreshing again so it does not sound corporate. If you like your audio quality so clean you could eat your dinner of it with a spoon then this is not the record for you.

The historic Chicago free-scene is reliably churning out lots of inspiring jazz once again and this record zones in on its heritage as an inspiration. Hopefully we will be hearing a lot more of Junius Paul in 2020. However do not get too carried away. This is more a stimulating statement of intent than a masterwork. SG