The Copasetics, Spice of Life, London / Andy Davies, Ronnie Scott’s

From 2015 + 2019 update. Two contrasting gigs, a sample of the veritable smörgåsbord of quality jazz available in Soho and central London more broadly on a random Wednesday night. The first, with a vocals-jazz flavour, was at the Spice of Life, Paul …

Published: 15 Nov 2019. Updated: 3 years.

From 2015 + 2019 update. Two contrasting gigs, a sample of the veritable smörgåsbord of quality jazz available in Soho and central London more broadly on a random Wednesday night.

The first, with a vocals-jazz flavour, was at the Spice of Life, Paul Pace’s basement jazz club, tucked in near the Palace theatre, featuring the Chris Connor-like voice of singer Jo Harrop, above right, fronting the Copasetics. Pianist Alex Webb, above left, double bassist Miles Danso, who used to be part of the much missed Spitz scene, and drummer Sophie Alloway with a guest, Polish alto saxophonist Aleksandra Topczewska who has been working with Tomorrow’s Warriors recently, completed the band.

A refined sound Harrop has excellent tone and great stage presence and she was accompanied effectively by Webb, known for his Cafe Society shows in both London and New York. Highlight for me was ‘East of the Sun (and West of the Moon)’ the Brooks Bowman song that Sarah Vaughan sang in the 1950s. And this was very much a band with the sound of the 1950s in its head and heart. People danced along unselfconsciously near the drumkit and the club's characterful doorman could even be spotted, handkerchief-less, doing a little magic trick as he passed by tables near the front later on tickling the fancy of a few of the evening’s patrons. Britain’s Got Talent surely beckons.

Later a short walk away deeper into Soho, and a climb to the upstairs lounge of the Ronnie Scott’s bar, the Welsh Kenny Dorham- and Chet Baker-influenced trumpeter Andy Davies was leading the atmosphere-laden long-running Wednesday hard bop jam, now approaching its seventh anniversary later this month. Davies, since the last time I saw him, has grown his hair and has also coiffed his showmanship side.

Presentationally strong and musically astute at running through melodic variants on a wide range of hard bop warhorses he slips in sitters-in to make them welcome and involved and plenty of musicians come down both experienced hands and talented unknowns. With his trumpet or flugel pointed up to the ceiling Davies knows how to make his presence felt and when not playing likes to pace the stage listening to every move of the players, the rapt audience standing in a spell watching the band clearly connecting with both the passion and the style.

Appearing with pianist Benet McLean, who plays violin on the new Partikel album, bassist Ferg Ireland and drummer Saleem Rahman, soon to be gigging with singer-songwriter Nick Mulvey at festivals this summer, plus a range of interesting guest players sitting-in there is always a buzz about this gig and this night was no different. A jam that sends you into a jazz world that some rockers might mistakenly feel doesn’t exist any more but is very much alive and happening right now. SG

15 November 2019 note: Jo Harrop has a choice standards album called ''Songs for the Late Hours'' out on Lateralize streaming currently on Bandcamp.

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Documenting jazz conference to take place in Birmingham

Dr Pedro Cravinho conference chair of Documenting Jazz 2020 guest posts on how the conference is shaping up. ''We are pleased to invite you to the second edition of the Documenting Jazz conference, which will take place on 16-18 January 2020 at …

Published: 15 Nov 2019. Updated: 3 years.

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Dr Pedro Cravinho conference chair of Documenting Jazz 2020 guest posts on how the conference is shaping up.

''We are pleased to invite you to the second edition of the Documenting Jazz conference, which will take place on 16-18 January 2020 at Birmingham City University. Focused on this year’s theme, ways of documenting, it brings together delegates from across the academic, archive, library, and museum sectors to explore and discuss proposals on jazz as visual culture, and its distinct representations: photography, press, cinema, television, and web. Additionally, the conference will address distinct ways of documenting jazz, challenging the narratives surrounding jazz as a male-dominated domain, and the way those affected have been marginalised from this music history. An important aim of this conference is to offer networking opportunities and foster debate among national and international participants around the conference theme. We very much look forward seeing you January in Birmingham.''

Keynote speakers are

Kristin McGee Gendering Jazz in Film and Television: Alternative Ways of Seeing and Hearing the Jazz Past Kristin McGee is associate professor in popular music studies in the arts, culture and media department at the University of Groningen in the Netherlands. She teaches on various subjects including popular music theory, jazz, gender and sexuality within popular music, music and globalisation, critical race theory, arts cultures, film music, and music event organization. She is also the current chair of the International Association for the Study of Popular Music Benelux.''

Catherine Tackley Seeing Jazz: The Visual Documentation of Jazz in Interwar British Popular Culture Professor Catherine Tackley joined the University of Liverpool in August 2016 as head of the department of music, having worked previously at the Open University and Leeds College of Music. In 2018, Catherine curated ‘Rhythm and Reaction: The Age of Jazz in Britain’, an acclaimed exhibition in London based on her research. From 2012-2014 she was principal investigator of the AHRC Research Networking project ‘Atlantic Sounds: Ships and Sailortowns.’ Click to register.