With the great free improviser pianist Marilyn Crispell is relative unknown saxophonist Yuma Uesaka in a playing situation that may be seen as modelled on Crispell's work with Anthony Braxton. Some pieces are compositions, others are entire improvisations. Skip the opening 'Meditation', however, because it seems too much off-the-shelf. What is more bespoke journeying beyond is how Uesaka consistently proves his persuasiveness in terms of authorial voice. He uses tenor sax, Bb clarinet and contra-alto clarinet on the record. Recorded in late-2018 in Woodstock, New York state and early-2019 in a New York city studio Crispell prefers an episodic approach in her accompaniment and there is a serenity in her contributions that is a gratifying foil to the reedist's unjarring robustness. 'Ma/Space,' grounds Uesaka’s Japanese heritage and ancient Gagaku court music with Chatori Shimizu guesting on an instrument hardly known beyond Japan, the Shō. The Shō steals the show? It certainly conjures the most engrossing atmsophere of all. Out on 15 October. Marilyn Crispell, top left, and Yuma Uesaka. Photo: press
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