A month-by-month look-back through 2021 at the stories that you were turning to most within marlbank

Most-read piece on marlbank in January 2021: On the passing of John Russell Most-read in February 21: Cameron Graves' Seven reviewed Most-read in March 21: An interview with producer Sun Chung Most-read in April 21: Dave Holland's 'Mashup' …

Published: 8 Dec 2021. Updated: 2 years.

Most-read piece on marlbank in January 2021:

On the passing of John Russell

Most-read in February 21:

Cameron Graves' Seven reviewed

Most-read in March 21:

An interview with producer Sun Chung

Most-read in April 21:

Dave Holland's 'Mashup'

Most-read in May 21:

Nnenna Freelon's Time Traveler reviewed

Most-read in June 21:

Best albums up to the year's half way point

Most-read in July 21:

Best albums up to the year's half way point

Most-read in August 21:

Best albums up to the year's half way point

Most-read in September 21:

Skyline reviewed

Most-read in October 21:

Jo Harrop's The Heart Wants reviewed

Most-read in November 21:

Jorge Rossy's Puerta reviewed

Masabumi Kikuchi top left with Sun Chung. See most-read in March

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Bugge Wesseltoft feat. Håkon Kornstad, 'Roads,' Jazzland (single) ****

If you are the hopeless romantic sort who nevertheless confesses readily enough to a tipple of strong draught of introspective melody that somehow does not get too doom-laden and amid the bittersweetness even wins out at the end (although the jury …

Published: 8 Dec 2021. Updated: 2 years.

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If you are the hopeless romantic sort who nevertheless confesses readily enough to a tipple of strong draught of introspective melody that somehow does not get too doom-laden and amid the bittersweetness even wins out at the end (although the jury is still out on that one), then 'Roads' a duo by Norwegian keyboardist Bugge Wesseltoft here, yes, on Rhodes along with fellow countryman tenor saxophonist Håkon Kornstad (known to break into an operatic aria or two if required but not here) is for you. What is created amidst the creak, decay and rattle of keys by the pair is an outstanding, beautiful, melody formed of a soulful, almost hymnal modality, that retains our interest as the slowly meandering development of the intertwining lines seems very natural and somehow manages to reach out in a humane dialogue between these musician creators and anyone listening. The moving piece that is a dweller on the threshold of the momentously ethereal Jan Garbarek domain certainly augurs well for the rest of Wesseltoft's so-far untitled new album from which it is drawn and seems tailor-made as some sort of balm to work against the pain of these uncertain Omicron-overshadowed dark, dread, days. All in all it's an anthemic earworm equipped with a lilting, numinous, quality that you may well hate yourself for days if you don't find time to immerse yourself in its charms pausing eventually only to wonder as some sort of pathetic proxy of a consolation why on earth you did not find 'Roads' any sooner. SG