Benjamin Lackner, Last Decade, ECM ****

Deem something a ''late night listen'' risks entertaining a cliché. But there is nothing hackneyed about Last Decade. In the cold light of day it is instead a work that thrives on rigid introspective examination and is often quite mournful - …

Published: 13 Oct 2022. Updated: 18 months.

Deem something a ''late night listen'' risks entertaining a cliché. But there is nothing hackneyed about Last Decade.

In the cold light of day it is instead a work that thrives on rigid introspective examination and is often quite mournful - certainly on 'Where Do We Go From Here.'

It may be a shock to some but Last Decade isn't the kind of record that someone would reach for standing in the kitchen to put on at a party unless the party-goers are fresh from a colloquium of philosophers.

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While certainly sensitive, probing, sometimes intense music but not self-consciously so at all the quartet however paradoxically play accessible melodies. There is even a tremendous groove from Manu Katché on 'Circular Confidence' - but essentially Last Decade isn't designed as a ''groove'' record.

The ethereal 'Hung Up On That Ghost' with its haunting vocalised wordless shard of light is a strong suit. And pianist Benny Lackner floats over all his material as if on another cloud. When he does take a solo - turning again to 'Circular Confidence' - he is collegiate and suspends his ego for the greater whole but certainly has a fine touch that recalls the approach of Marcin Wasilewski.

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The Benjamin Lackner quartet l-r Mathias Eick, Benjamin Lackner, Manu Katché, Jérôme Regard. Photo: bennylackner.com

A lot of the success of the record derives from the highly knowing very reverberant beat that bassist Jérôme Regard provides at key moments. Trumpeter Mathias Eick is Tomasz Stańko-like more than ever. And that quasi-tragic sense that the great Pole knew how to use as a raw material to tell his own reveries and stories in song Eick shares through his own bleakly humane sound.

The best thing about the album is the strength of the originals, most of these written by Lackner himself. Producer Matthew Eicher has drawn something special out of the pianist and all concerned on the record for a glistening, life affirming creation. Last Decade is to be issued tomorrow. 'Circular Confidence' and 'Camino Cielo' stream ahead of the full release.

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Bugge Wesseltoft, Henrik Schwarz, Duo II, Jazzland ***

It has been a good year for fans of Bugge Wesseltoft. First solo bliss on Be Am and now duo dynamism resumes with old mucker producer boffin Henrik Schwarz as the pair get their mojo going again. As was - back in 2011 Very much an über Gott und …

Published: 12 Oct 2022. Updated: 18 months.

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It has been a good year for fans of Bugge Wesseltoft. First solo bliss on Be Am and now duo dynamism resumes with old mucker producer boffin Henrik Schwarz as the pair get their mojo going again.

As was - back in 2011

Very much an über Gott und die Welt kind of record rather than uber as in 'taxi!' an open ended conversation that takes in a whole lot. By all means take a trip to a prog clubby electronica destination. Kinetic keyboardism is one major element but the whole thing is more than the sum of its parts and production is ace. Not so pushed on the vocals on 'Eye For an Eye' or the twinkling windmills of your mind conveyed on 'One Two' but such carping doesn't matter too much because the better bits dwarf the fluffier passages. The clubbiness of 'Basstorious', I guess a cunning pun on bass and at a pinch Pastorius as in Jaco, shoot me if not (other oriousnesses are available), is far better the weather report here prevailingly sunshine and showers. That track features agile trumpeter Sebastian Studnitzky who sounds quite designery here. And yet that is a mortal danger that the album teeters with because in that uxorious bonfire of the vanities there be dragons. No one wants a coffee table kind of outcome after all.

Fear not that doesn't happen although everything glistens and sonic good taste reigns. The strings on 'Duolism Two Two' again are fantastically recorded and could be on a pop record. So - an album easy to admire. And if you have very hi-end audio kit then even better, trebles all round. Because the whole thing has Rolls-Royce sound and will be enhanced listening on your very best kit or failing that heard over a clean PA at a small restaurant type venue. Duo II is out on 25 October. Bugge Wesseltoft as a member of Rymden plays the London Jazz Festival on 12 November