If you believe in a continuum - and we certainly do - the Chick Corea continuum that is, read on.
And while we know that the music of Chick Corea is still around us through his many records, in terms of spirit and crucially an imaginative sound world all of her own devising inspired by yes Sumerian legend and musically even more so by Corea what Connie Han does here is in a league of its own for full blown improvisational possibility and group play that sounds very in the moment.
'Prima Materia' proves sunny, cosmic, as much a daytime as a cool breeze-of-the-evening listen and has an open feel and the sound develops organically.
More broadly Secrets of Inanna uses the flute of Katisse Buckingham ideally, meaning flute as a flavour at the top of the sound not an overpowering taste.
Wayne Shorter quartet bass icon John Patitucci is pivotal once again on what is an exceptional record and while tenorist Rich Perry certainly has his moments the profile of drummer Bill Wysaske should soar given what he manages to do here because he is like Perry both powerful and tender throughout.
Han has a swagger that is all her own, Hiromi-like in its thundering power on more bravura passages perhaps, a top pianist who Corea championed when Hiromi now a major star was far lesser known.
Some might be distracted by what they might see as the preposterous nature of the ancient Mesopotamian concept - a very prog rock and indeed a Return to Forever notion in itself - but put that thought aside. Han, not a newcomer at all, for the first time seems more than ever destined to be the next superstar of jazz piano globally.
Out on 23 September. Tracks streaming so far are above
Connie Han, top, Photo: press
Read more on Han circa Iron Starlet
Leaf through the full list of marlbank albums of the year here
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