Daniel Casimir, Boxed In, Jazz re:freshed ***

Bassist Daniel Casimir has a fine gathering of top players with him on the album collectively including a lot of leaders (Nubya Garcia, Andy Davies, Moses Boyd among these). It works overall although the vocals of Ria Moran on 'Get Even' and …

Published: 9 Nov 2021. Updated: 2 years.

Bassist Daniel Casimir has a fine gathering of top players with him on the album collectively including a lot of leaders (Nubya Garcia, Andy Davies, Moses Boyd among these). It works overall although the vocals of Ria Moran on 'Get Even' and 'Rewind the Time' don't do an awful lot for me. Head to the 'Safe' tracks more as a priority which are at the heart of the album. Hard bop, strings-soaked and cosmic in nature, horns doing call and response with the strings, the keyboardist Al Macsween is a good presence on the record and DC's new statesman beat is very presidential throughout. SG

Tags:

Various Artists, Shorter Moments: Exploring the World of Wayne, Posi-Tone Records ****

It's useful to include the Wayne originals in a playlist so you immediately can refer to these ahead of Shorter Moments because you will be doing this guaranteed when you play this record so check back to the audio urtext as it were when the album …

Published: 9 Nov 2021. Updated: 2 years.

Next post

tumblr_inline_mo887k3TVt1qz4rgp

It's useful to include the Wayne originals in a playlist so you immediately can refer to these ahead of Shorter Moments because you will be doing this guaranteed when you play this record so check back to the audio urtext as it were when the album is out. A compilation of Wayne-related covers from 2008-21 on the US jazz-indie Posi-Tone Records run by Marc Free which generally specialises in straightahead and hard bop the selections are well sequenced and David Ashkenazy, Ed Cherry, Out To Dinner, Jordan Young, Farnell Newton, Alexa Tarantino, Walt Weiskopf, Orrin Evans, Sam Yahel, Jared Gold and Wayne Escoffery (marvellous on 'Infant Eyes') in their very different ways conjure the oblique, mercurial and often meltingly moving character of the great Newarkian and global jazz inspiration's style these past decades.

It's no exaggeration to claim that Shorter is the greatest jazz composer since Thelonious Monk and albums like this clarify such thinking and surely there will be many more homages to come given the possibilities for further dipping into his extensive catalogue whether fairly orthodox such as these versions or not.

The album is out on 26 November and is the best themed entirely around Wayne Shorter compositions as a dedicated entity in many years at least since 2013's excellent David Weiss release Endangered Species: The Music of Wayne Shorter which covered another selection of Wayne classics so it's good that there is no duplication here. Note too that 2019's Jazz at Lincoln Center Orchestra release featuring Wayne on The Music of Wayne Shorter factored in still more gems from Wayne's protean pen and even with Wayne's presence I actually preferred the earlier Weiss approach to the JALCO treatments. A must for fans of Wayne. I'll pick one track as the standout because it is so beautifully voiced and possesses such a panoramic musical picture and that is the Orrin Evans and Captain Black Big Band's version of 'Water Babies' from their 2014 album Mother’s Touch which has an arrangement by trumpeter Tatum Greenblatt and solos by Greenblatt and saxist Stacy Dillard. SG