Gabriel da Rosa, É o que a casa Oferece, Stones Throw ***

Ahead of mardi gras if you like Brazilian guitarist and singer Mario Bakuna, as credible and busy a Brazilian presence on the UK jazz club circuit over the past few years as anyone, then step this way for Gabriel da Rosa who shares that same sound …

Published: 17 Feb 2023. Updated: 14 months.

Ahead of mardi gras if you like Brazilian guitarist and singer Mario Bakuna, as credible and busy a Brazilian presence on the UK jazz club circuit over the past few years as anyone, then step this way for Gabriel da Rosa who shares that same sound sphere you will encounter if you enjoy the music of Caetano Veloso and João Bosco or classic samba jazz friendly crossover from the 1960s more broadly. Soft and sensuous the best tracks are the spirited 'Jasmim' tracks and the strings soaked 'So You Can See Me' plus the appealing tenor sax part redolent of Stan Getz on the quirky 'Bandida'. Da Rosa is based in Los Angeles - the album title means 'It's What The House Offers'. Soft and appealing - don't be looking for an edgy listen cos it ain't here, guv - but the shimmering vibe is all and that's not too shabby is it when all you just want is to chill out, forget the cruel world and dig such a blended intuitive beat. Out today. Gabriel da Rosa, photo: press

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Various Artists, Transmissions from Total Refreshment Centre, Blue Note ***

''Parker? There's them over here can play a few aces too'' - Joe Harriott An album dotted with less than essential rap and dub if more of the tracks were like 'Plight' there would be more to grip on to given that elsewhere there is little of the …

Published: 17 Feb 2023. Updated: 14 months.

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''Parker? There's them over here can play a few aces too'' - Joe Harriott

An album dotted with less than essential rap and dub if more of the tracks were like 'Plight' there would be more to grip on to given that elsewhere there is little of the same intensity. Part of an effort to mythologise Dalston's Total Refreshment Centre this groove record yokes together mostly easy going rhythmically appealing pieces lashed together by mid-tempo grooves that has Maisha's fine drummer Jake Long important in the sound. It's ironic that trumpeter Byron Wallen's contribution is often the most listenable within the ensemble given that he hails from an older generation that got far less attention than his younger colleagues especially Stateside back in his first flowering as a player of eminence in the 1990s. Think on Joe Harriott's gravestone epitaph about his own even worse neglect back in his day and apply it, say to the way the Grammys ignore UK jazz while firmly holding UK pop close to their bosom, ''Parker? There's them over here can play a few aces too''. It's not the greatest example of the strength here by a long way but certainly the fact Blue Note are putting it out shows a willingness to promote agenda setting aspects of the London scene in the US along with its even better Re-Imagined explorations. Out today