Gerald Cleaver, Cooper-Moore****

Practically funky even given the avant context you'll know when the sprawling beat and a kind of ''one'' kicks in on this track 'Cooper-Moore' a tribute to the pianist the first track of a series of tributes. Gerald Cleaver, last heard by this blog …

Published: 5 May 2021. Updated: 2 years.

Practically funky even given the avant context you'll know when the sprawling beat and a kind of ''one'' kicks in on this track 'Cooper-Moore' a tribute to the pianist the first track of a series of tributes. Gerald Cleaver, last heard by this blog playing live in a concert hall with Benny Golson and before that in a club with Lotte Anker and Craig Taborn but best of all just about ever on Wisława with David Virelles to whom tribute is paid here among other album tracks, looks at electronica via a different radical lens and explores his Detroit roots via modular electronics. Cleaver says: ''This is not meant to be a tribute record, just an acknowledgment of the circular nature of inspiration. It is very important to me to stress the importance of Tribe. Community is everything.” Convincing and compelling at the same time Griots is on Positive Elevation out on 4 June.

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Benito Gonzalez, Flatbush Avenue ****

Each one, teach one, reach one. The driving 'Flatbush Avenue' is a serious head-bobber and Benito Gonzalez shows considerable power in a style reminiscent of the edge and majesty of the much missed McCoy Tyner in his pomp. When 14 May, release day …

Published: 5 May 2021. Updated: 2 years.

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Each one, teach one, reach one. The driving 'Flatbush Avenue' is a serious head-bobber and Benito Gonzalez shows considerable power in a style reminiscent of the edge and majesty of the much missed McCoy Tyner in his pomp. When 14 May, release day for the whole album comes along, on this evidence and it's early doors you'd be nonetheless tempted to take the whole day off and just press replay all the time to wrap your ears around what is clearly going on this daring forward rider an event release.

As flagged up back in March and to reprise Russian label Rainy Days, known for its work with Zhenya Strigalev expands upon its Russian artist base with the release next month of the Afro-Latin Sing to the World by Venezuela-born pianist/composer/bandleader Benito Gonzalez known for his work with alto icon Kenny Garrett and more recently with Pharoah Sanders.

A sprinkling of very big names are on the recording. Double bass icon Christian McBride who goes way back with Gonzalez is on the majority of the tracks and the formidable ex-Branford Marsalis classic quartet drummer Jeff “Tain” Watts is also a serious presence. Tain shares the drum duties with Russian drummer and co-producer Sasha Mashin and contributes his composition '412'. The New Orleans icon trumpeter Nicholas Payton plays on four tracks. Recorded in studios in New York and Moscow tracks also include Gonzalez originals and a version of 'Father' by Roy Hargrove. (On 'Flatbush Avenue' it's Mashin on drums and Josh Evans on trumpet along with McBride and Gonzalez.)

Finally, to avoid any fear of missing out, because you will kick yourself if you end up doing so, Gonzalez also produced and appeared on Trying Times, the fine Deelee Dubé album released a matter of months ago. Dubé's record is the classic-vocals record that we have been cherishing most in 2021. And in that preference we are surely not alone.