Reiss Ellis Beckles and Rowan Hudson, Alfie's, London ***

At Alfie's - viewed from the Golden Circle, l-r: Rowan Hudson, Reiss Ellis Beckles. Picking up strong word of mouth on the London scene, alto saxophonist Reiss Ellis Beckles was at new Greek Street jazz club Alfie's earlier this evening playing in …

Published: 4 Apr 2024. Updated: 13 days.

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At Alfie's - viewed from the Golden Circle, l-r: Rowan Hudson, Reiss Ellis Beckles.

Picking up strong word of mouth on the London scene, alto saxophonist Reiss Ellis Beckles was at new Greek Street jazz club Alfie's earlier this evening playing in a relaxed circumstances duo setting with pianist Rowan Hudson at this newly opened tiny space.

The club at the heart of the ever burgeoning jazz village that is Soho - sibling venues the Piano Bar Soho are on Carlisle Street and over in Walker's Court at the Boulevard - you bowl in climbing up off Greek Street, a bustling thoroughfare itself paid tribute to on Ian Shaw's fine 2023 album Greek Street Friday last year. And on Shaw's earlier Silent Wish release What's New there is even a connection to this new townhouse club that has found its home on such an historic street. Because Shaw, with Iain Ballamy and Jamie Safir, also covered the classic 1960s Burt Bacharach-Hal David song 'Alfie' made famous early on by Dionne Warwick and Cilla Black that the club riffs on - as well as club inspired thoughts purrtaining to a certain jazz loving cat - but that's a tail to swish another day.

Go up the stairs of what is a beautiful old townhouse next to top French restaurant L'Escargot, look right, wheel again to the right and there in front you is a small stage - the piano is a Yamaha baby grand, the house drum kit a Gretsch. Looking at the stage you see a street facing window behind the musicians.

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''Hello, Wembley,'' quipped the saxist, good naturedly as he read the room - people starting to come in. Beckles and Hudson played standards in a laidback early evening couple of sets. The Johnny Green tune 'Out of Nowhere,' covered by Coleman Hawkins, Harry James and Artie Shaw in the 1930s and by many artists since began proceedings. Then 30s Victor Young standard 'Beautiful Love' covered so movingly in a posthumous George Shearing release (with Don Thompson) a decade ago went in this Alfie's treatment into 'Summertime' as a kind of organic coda.

The smartly suited and skinny-tie wearing Beckles, an alumnus of Trinity Laban Conservatoire of Music and Dance in London, is hugely expressive, bluesy and can make use of altissimo fingerings when he needs to. In the second set having got used to his sound a bit we kept thinking of Nat Facey of Empirical in places and of Soweto Kinch's style sometimes when the tempo started pelting along that bit more and the bebop changes tumbled and turned. Good to see a few faces in the club - including DJ Tim Garcia of Música Macondo renown. Hudson, while London born, grew up in the Somerset cathedral city of Wells leaving to study jazz at Middlesex University, has a lush, romantic sound. His introduction deep down in the lower reaches of the piano on Erroll Garner classic 'Misty' later in the second half was a big highlight as was how Beckles dealt with the emotional demands of 'Stella By Starlight.'

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'When you walk let your heart lead the way, and you'll find love any day, Alfie, Alfie' - Hal David

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Eurojazz clubbing 8-14 April

London scene band the Sultan Stevenson trio: l-r: Joel Waters, Sultan Stevenson, Jacob Gryn play the Schlachthof, Bremen on the 11th ahead of a Brick Lane Jazz Festival show later this month. Photo: press Marcus Strickland Twi-Life Moods, …

Published: 4 Apr 2024. Updated: 25 days.

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London scene band the Sultan Stevenson trio: l-r: Joel Waters, Sultan Stevenson, Jacob Gryn play the Schlachthof, Bremen on the 11th ahead of a Brick Lane Jazz Festival show later this month. Photo: press

Highly influential and innovative US singer Gretchen Parlato in 2023 on Lean In with long time collaborator the Herbie Hancock guitarist and singer US based Benin jazz great Lionel Loueke proved on form. Very much a close knit affair, Gretchen's husband drummer Mark Guiliana of Mehliana fame, Guiliana and Loueke family members and close friend bassist Burniss Travis (known for his work with Common and James Francies) figured among the personnel on Lean In which was recorded in Los Angeles. Full of Brazilian music, West African sounds and more it represented the state of the art in terms of jazz vocals and also joins the dots passing the baton from singer to instrumentalism and back again in a parity of esteem and represents another peak in both Parlato and Loueke's remarkable careers. Highlights included a very fine version of Lynn Malsby's 1980s song 'I Miss You'. Parlato's sound is metrically astounding and highly expert in harnessing the power of difficult syncopated runs that still retain their communicative rather than impressive-for-the-sake-of-it appeal to gain traction and a sense of rewarding release. Also playing Stadtgarten in Cologne next night, the 11th April.

James Brown legend Fred Wesley is incredibly, yes, funky live, read a New JBs review from 2013. The real deal

One of the many acts taking part at this year's Jazzahead across several venues but chiefly sited in the Schlachthof and Messe exhibition halls that runs until Saturday. Others include Sultan Stevenson, the Tineke Postma Aria Group, Julia Kadel Trio, Rebecca Trescher Tentet, Shuteen Erdenebaatar Quartet, Andy Milne & Unison, Oran Etkin Open Arms Project, Linda Fredriksson Juniper, Mama Terra and Matt Carmichael. Bart's 2022 album Documentaries featured not just a very fine harmonica player and composer but also finding a musical situation that defies easy categorisation, Bart harnessing a new melodic, chamber jazz and occasionally Sephardic ('Nine Souls') feel. Surrounding the Israeli's compositions are a rhythm section enhanced by cello. Trumpet is the brassy element on top. That horn player Itamar Borochov adds a lot of life to the sound but does not take over at all. Extraordinary harmonies in the arrangement almost casually strung together on 'Between Light and Shadow' where Bart proves if she were a saxophone player would be a Joshua Redman-type player melodically. Meditational and mindful it's a fantastic world class record (the best Bart improvisation is on the magisterial 'Teardrop').

Howell, here leading his own band, excelled in Ravi Coltrane's band playing the Barbican in 2022. With the drummer are altoist Regis Molina, pianist Kevin Sholar and bassist Charles Sammons.

The US altoist in Paris with pianist Fred Nardin, bassist Matteo Bortone and drummer Francesco Ciniglio. We liked For All We Know (Savant) reviewed in January which had Snidero with drummer Joe Farnsworth and bass icon Peter Washington giving ideal support on a set of familiar standards. What Snidero was able to do in his reactions to the themes in his improvisations is the really interesting customised bit - what he does to 'You Go To My Head' in particular one of the highlights on, yes, a real ''bebop heads'' album is a track you will be returning to time and time again.

English keyboards jazz great Jason Rebello is in his former Sting colleague guitarist Dominic Miller's band here for this Vienna gig - bassist Nicolas Fiszman and drummer Ziv Ravitz completing the American-Irish Argentina born 'Shape of My Heart' co-writer's band.

With every record on ECM it seemed to us listening to 2023's Vagabond that Miller seems to go deeper into his own world. And on what was a 2021 recorded Manfred Eicher produced studio album that sense of individuality coated in a Mediterranean dreaminess is the gateway to everything that unfolds. But there's an intensity too say on 'Lone Waltz' when pianist Jacob Karlzon added a heat and the crescendo sweeps us into a new intimacy. A very different in atmosphere feeling and listening experience is engendered to say what you'll hear on a record by another consummate guitarist such as Julian Lage or indeed Miller's extensive work with Sting you don't, in other words, acquire swinging freebop or dive into the singalong heart of a rock anthem - not by a long chalk.

But you do get detailed development of the themes as they often veer into more interesting waters out of the safe harbour of their pristine melodicism. In Miller's soliloquising and interior mood music he sometimes has a lot in common with a world Andrés Segovia painted so luminously or a Joaquín Rodrigo classical work in its more starker disciplined moments. Bassist Fiszman and drummer Ravitz, whose touch when it comes on 'Clandestin' is just right, prove a gruff contrast to the tracery of the rhapsoding piano lines that so naturally dance around.

Playing the music of V. S. O. P. The Quintet, north country English drummer Gary Husband dabbing on the toms here and hitting the hi-hat ''cymbalically'' in Cologne with fellow countryman Germany based erstwhile Brum head Percy Pursglove plus Germany scene jazzers Paul Heller, Hubert Nuss and Ingmar Heller. Husband is known for his work with Billy Cobham and John McLaughlin, and has a fine new album featuring his superb Evansian-esque piano playing on Songs of Love and Solace just released. V. S. O. P. was a Herbie Hancock band that in the 1970s celebrated the Miles Second Great Quintet and featured Freddie Hubbard.