The Seventh Hand is next from Immanuel Wilkins with Ronnie's one-nighter planned

It's a late-January release in prospect for The Seventh Hand coming up from Immanuel Wilkins, one of the hottest alto saxophone new talents to have emerged on the progressive acoustic post-bop scene in simply years. The bustling nigh-on …

Published: 2 Dec 2021. Updated: 2 years.

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It's a late-January release in prospect for The Seventh Hand coming up from Immanuel Wilkins, one of the hottest alto saxophone new talents to have emerged on the progressive acoustic post-bop scene in simply years. The bustling nigh-on 7-and-a-half-minutes pretty uptempo, as it turns out, piece 'Emanation' introduces the new album, and quite an introduction it proves: pressure cooker saxology from Wilkins followed by a sonorous piano solo delivered by Micah Thomas before Wilkins eventually returns in a more serene vein. The Kenny Garrett-inspired Philadelphian features a seven-movement suite of his own originals on the album which is to be issued by Blue Note. The Omega band of the aforementioned Thomas, bassist Daryl Johns and drummer Kweku Sumbry join him once again along with guests, the much talked-about flautist Elena Pinderhughes and the Farafina Kan percussion ensemble. Biblically-inspired in its titling the number seven represents divine intervention. Wilkins quoted by Blue Note says: “The goal of what we’re all trying to get to is nothingness, where the music can flow freely through us.” Immanuel Wilkins photo: Rog Walker. Read a marlbank interview with Wilkins circa Omega, here. Touring plans include Ronnie Scott's on 14 March sandwiched between dates in Italy and France

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Club focus: The Spice of Life

The room's sightlines are a factor to the Spice of Life, a basement room under a pub in Soho, close to Cambridge Circus and the Charing Cross Road, that is especially likeable. Do they matter? Yes, in some places like Ronnie's they come at a …

Published: 1 Dec 2021. Updated: 2 years.

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The room's sightlines are a factor to the Spice of Life, a basement room under a pub in Soho, close to Cambridge Circus and the Charing Cross Road, that is especially likeable. Do they matter? Yes, in some places like Ronnie's they come at a premium. When they are snuck in as standard that's even better. The place which puts on jazz a few times each week also sports the best neon stage-signage of any London club. It's a spot that also sounds very lived-in again the nearby Ronnie's springs to mind rather than new and sticky as fresh paint or worse clinical and as if a lot of music has been played here over the years. And a lot has. There's a surplus of character here and a certain bustle in the aura probably because it is located in an historic entertainment district. Inexpensive to get in, the bands however aren't always top quality here although all heard in the place over the years have been very decent. And you often get lucky having a punt at some band or other that may not have seemed the likeliest in the past but prove the mustard. Certainly it's also a good place to check out newcomers making their first steps on the live scene. Unusually the spot runs a gig on Monday lunchtimes tending to the swinging mainstream and even more daddio verging even positively antediluvian tradwise. Coming up next is the Simon Woolf Quintet on 6 December. Greg Abate above left at the Spice last month. Photo: marlbank. Info