Sarah Jane Morris, The Sisterhood, Fallen Angel ****

A tribute to female artists past and present who have inspired her own musical journey, Sarah Jane Morris with her co-writer and co-producer guitarist Tony Rémy has come up with one of her most compelling albums in an enduringly successful career …

Published: 11 Mar 2024. Updated: 43 days.

A tribute to female artists past and present who have inspired her own musical journey, Sarah Jane Morris with her co-writer and co-producer guitarist Tony Rémy has come up with one of her most compelling albums in an enduringly successful career that spans genres and outlasts cloyingly ephemeral fads. The Communards icon has chosen Aretha Franklin, Bessie Smith, Annie Lennox, Miriam Makeba and Janis Joplin among the inspiring female icons to write new songs dedicated to. Rémy known for his long Blues Experience residency at Ronnie Scott's is a blues drenched Boswell to her Dr Johnson given the voluminous dictionary of conversational riffs and grooves the lyrics are surrounded with. Nina Simone is whisperingly celebrated on 'So Much Love' and songs for Rickie Lee Jones, Kate Bush - a French dressing on the magnetic 'Rimbaud of Suburbia' track liberally applied - Billie Holiday and Joni Mitchell also make the cut. ''The Sisterhood is a complex, ambitious project which demands a full band,'' Morris told the PRS For Music in-house magazine M recently. And certainly The Sisterhood proves just so and is about original deeply marinated writing at work validated for posterity. And what vastly powerful blues drenched vocals pacily and soulfully delivered are imaginatively displayed. The Rickie Lee Jones tribute 'Jazz Side of the Road' and Nina paean 'So Much Love' are super delightful and leap out most. But the ratio of killer to filler is very high in favour of the former and so impossibly cool more than enough to appeal to both skylarks and night owls alike. Sarah Jane Morris, photo: cover art detail

Tags: reviews

Julie Sassoon, Inside Colours Live, Jazzwerkstatt ***1/2

Spread over two CDs these avant flavoured Inside Colours duo and trio settings are the work firstly of Germany based English pianist Julie Sassoon of the early 21st century trio Azilut with her partner German reedist Lothar Ohlmeier and secondly …

Published: 10 Mar 2024. Updated: 48 days.

Next post

rsz_7_inside_colours_duo_photo_andreas_daschner

Spread over two CDs these avant flavoured Inside Colours duo and trio settings are the work firstly of Germany based English pianist Julie Sassoon of the early 21st century trio Azilut with her partner German reedist Lothar Ohlmeier and secondly the pairing joined by their now 19-year-old daughter, drummer Mia Ohlmeier.

Julie Sassoon, Lothar Ohlmeier photo: Andreas Daschner

'To Be'

Part of the release is a Bayerischer Rundfunk (Bavarian Radio) recording issued by Berlin label Jazzwerkstatt. But the main talking point is that the second CD recorded in the Chamber Music Hall of the Berlin Philharmonie includes the presence of Mia who clearly is already a sensational jazz musician improviser - hear her best on the trio version of 'Land of Shadows'. The drummer's playing seems to us to be as intuitive as freedom inclined players such as the great drummer-percussionist Paul Clarvis, heard most recently on Rob Cope's Gemini.

rsz_8_copyright_cristina_marx_photomusix-5003_mia_ohlmeier_1

Mia Ohlmeier, photo: Cristina Marx

'Land of Shadows' is a Sassoon piece that has become one of the most notable compositions in the Manchester born pianist's repertoire. Also the title of a 2013 issued recording that John Fordham in The Guardian reviewing the record at the time said was ''a journey back through the 1930s German-Jewish history her family had barely been able to discuss… Julie Sassoon consistently makes the piano, her voice and her deepest emotions sound awesomely and naturally inseparable.''

For his part Ohlmeier plays tenor and soprano saxes & bass clarinet - his style on the latter darkly compelling reed instrument draws to mind the declarative manner of French master Louis Sclavis at his most robust.

The duo recordings were made at various festivals in Europe including outdoors in the eastern Bavarian city of Regensburg during July 2016, Roland Spiegel of Bayerischer Rundfunk explaining that since 2016, several recordings have been made of the Inside Colours duo for BR-Klassik. ''Here,'' Spiegel notes. ''you can hear pieces from that earlier open-air jazz festival concert as well as others from the pandemic year 2022 in a smaller Regensburg venue.''

Sassoon compositions such as 'Shifting' that have also appeared on 2021's weighty and very satisfying differently configured quartet recording Voyages are reprised. To the Power of Three's 'Coming Home' and the meisterwerk 'Land of Shadows' referred to three paragraphs earlier appear in both duo and trio versions - the trio one certainly capturing a remarkably fresh, vibrantly expressed and well worth full immersion in set of moments in time. Inside Colours Live cover art detail, top