Steppin' out - pick of tonight's gigs

Nikki Iles, above, Ingrid Jensen and the Royal Academy of Music Big Band Vortex, London Fri 8 Mar Jon Lloyd Quartet 1000 Trades, Birmingham Fri 8 Mar Jim Thorn Quartet Ventnor Arts Club, Isle of Wight Fri 8 Mar Jo Harrop Crazy Coqs, London Fri 8 …

Published: 8 Mar 2024. Updated: 49 days.

Nikki Iles, above, Ingrid Jensen and the Royal Academy of Music Big Band Vortex, London Fri 8 Mar

Jon Lloyd Quartet 1000 Trades, Birmingham Fri 8 Mar

Jim Thorn Quartet Ventnor Arts Club, Isle of Wight Fri 8 Mar

Jo Harrop Crazy Coqs, London Fri 8 Mar 7pm show

Chris Seefried magic at work again producing the earworm 'She Carries On' which is new on Mayank Patel's Lateralize label from Chester-Le-Street's finest, jazz singer Jo Harrop - an International Women's Day show at one of Soho's best jazz venues, basement club Crazy Coqs, a stone's throw from Eros. Guitarist and producer Seefried was also vital in the fabulous jazz hit Lady Blackbird Black Acid Soul sound. The pianist on the track is Black Acid Soul pianist Deron Johnson known for his work on Miles Davis' last studio album, the hip-hop influenced album Doobop, released in 1992 - not long after Miles' death the summer before.

Tori Freestone and Alcyona Mick Crazy Coqs, London Fri 8 Mar 9.15pm show

Andy Panayi's Boptet St Andrew's church, Hove Fri 8 Mar

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Byron Wallen

Hearing Four Corners in 2020 just before Lockdown, trumpeter Byron Wallen told the audience that time that the band had been playing together for three or four years and the place was packed with a lot of musicians in the audience as well as punters in what because of circumstances was a combined two-band audience. Poole is in for a treat if the gig is anything like that London appearance in Holborn - it was one of the best live gigs attended in simply years.

Rod Youngs on drums and Rob Luft on electric guitar had toured a good deal the previous year with Dave O'Higgins and Scott Flanigan and have excellent rapport, Youngs powerful on the off beats and his bebop mastery of the bass drum certainly came into its own on the more syncopated sections for extra propulsion that Byron certainly responded to later particularly when he picked up blocks.

The tunes included the fine 'Silent Praise' and a tribute to Harry Beckett (1935-2010) called 'Pink' named after the door on an unnamed house on the Stoke Newington street that the great trumpeter advised Byron to look for when visiting him years ago. Byron said only a fellow trumpeter knows the challenge in keeping your playing chops in shape as Harry did.

The new at the time Portrait material from Byron's first album in more than a decade had plenty of oomph and fizzed with ideas. Byron's conch shell feature using pedal delay and capture that allowed him to use high pitched shells to be accompanied by the lower ranged sounds that he had moments earlier created really worked and integrated neatly when the solo flowed into band collective improvisation that then painted an expansive canvas.

Emily Saunders Music Room, Philharmonic Hall, Liverpool Fri 8 Mar

Glenn Miller Orchestra dir. Ray McVay Stables, Wavendon Fri 8 Mar

Ciarán Wilde Quartet Scott's, Belfast Friday 8 Mar

Christine Tobin and Phil Robson Carnegie Arts Centre, Kenmare, Co. Kerry Fri 8 Mar

Ariel Cubillas Jazz Cafe, Lincoln Fri 8 Mar

Hannah Horton Quartet Crookes Social Club, Sheffield Fri 8 Mar

Sarah-Jane Morris The Tung, Liverpool Fri 8 Mar

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Chris Potter, Eagle's Point, Edition ****

Brad Mehldau, Chris Potter, John Patitucci, Brian Blade. Photo: via Edition Gold blend: An eight tracker of considerable weight and grace. The main talking point here is the presence of pianist Brad Mehldau who appears on issuing label Edition …

Published: 8 Mar 2024. Updated: 46 days.

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Brad Mehldau, Chris Potter, John Patitucci, Brian Blade. Photo: via Edition

Gold blend: An eight tracker of considerable weight and grace. The main talking point here is the presence of pianist Brad Mehldau who appears on issuing label Edition for the first time. The Wayne Shorter Quartet's John Patitucci, touring with another Wayne alumnus the great ''PanaMonkian'' Danilo Pérez to Sweden this month and Wayne drummer Brian Blade complete the rhythm section with Brad, playing leader-reedist Chris Potter's tunes. 'Málaga Moon' is for Patitucci fans the track to go for. But to be honest the double bassist is important throughout Eagle's Point, an album that's all about group play. The band as an instrument is the thing itself. And you get a strong sense of the organic osmosis involved in composition transformed by performance and captured in vivid sonic detail as the icing on the cake.


Nifty 90s: Mehldau worked with Potter way back and appeared on the saxist's 1996 Concord swinging hard Moving In recorded in New York. The way Mehldau opens 'Chorale' on that 90s album for instance makes sense to listen to again for some inkling of how the two used to play together at that time and more to the point is somehow most pertinent to the spirit of the new music. For Mehldau and Blade also together in the 90s you need to go hear the classic MoodSwing (1994) they were on with Joshua Redman and Christian McBride, a band that has reunited in recent years and best heard on Long Gone's 'Disco Ears.' There's good detail on 90s Mehldau in his memoir Formation published last year.


Whole lotta love: All the pieces on this latest album out today grounded in such remarkable cadential and harmonic resourcefulness, a studios album recorded in the States, are Potter originals who proves once again a strong highly romantic writer. Potter chooses among his arsenal to play tenor & soprano saxophones plus bass clarinet. 'Indigo Ildikó' is where the Got the Keys to the Kingdom ace Potters up for a cappella bass clarinet at the outset. The Steely Dan alumnus has produced the album in collaboration with Dave Holland's daughter and manager, Louise. The most moving tune is 'Other Plans' when Brad is at his most rhapsodic. Moving because it's the sort of tune that you might find ideal for a situation when you feel hurt and you want to save face and there's nothing doing in your world. You mutter you have ''other plans'' rather than explain what's wrong. It's a tune to put on to give you comfort when all you want to do is simply disappear. What Potter meant when he decided on the name would be great to know. But while serious and at times humanely deep, Eagle's Point contains a lot of love regardless of the different means of expressing the emotion and the array of interpretations possible when a successful creative work is set loose into the world. A golden positivity is also most obviously exemplified by the calypso feel of the head bobbing 'Horizon Dance.'