SticklerPhonics, Technicolor Ghost Parade, Jealous Butcher Records ***1/2

SticklerPhonics, l-r: Danny Lubin-Laden, Raffi Garabedian, Scott Amendola. Photo: Larry Gonzalez. The Saturday morning listen returns - best time of the week and an album that has feelgood writ large. Such bass drum thumping groove heavy ambrosia …

Published: 4 May 2024. Updated: 13 days.

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SticklerPhonics, l-r: Danny Lubin-Laden, Raffi Garabedian, Scott Amendola. Photo: Larry Gonzalez.

The Saturday morning listen returns - best time of the week and an album that has feelgood writ large. Such bass drum thumping groove heavy ambrosia for your aural feasting upon isn't anything like the emperor's new clothes as these geezers certainly can play hardball and aren't posing as avant-gardists. Scott Amendola - he of the ace Nels Cline Singers particularly excellent on 2014 release Macroscope - rolls in the deep as only someone with chops to burn and the flair to go with it can do. Dig Paul Motian dear reader as you model your recently purchased brand new anorak in front of the mirror ahead of lounging around down the jazz club post-puddle later? Amendola does.

Not that such showerstorms of ticking beat and curveball metrical flourishes rain down on every track. But c'me're listen hard and you can discern Motian's pulsar heartbeat in the more open sections. Mucho trombone pleasurably on the title track 'Technicolor Ghost Parade' fattens the whole thing out as it teeters on the brink of becoming a New Orleans street parade detour ahead meander. While only drums, Roswell Rudd-esque trombone from Danny Lubin-Laden and sax, tis tenorist and great team player Raffi Garabedian (who studied with Dayna Stephens when he was younger), to hand, Amendola proves an expert in punctuation particularly adept at measuring out the generous fills that the American feeds in as the heat intensifies. There's plenty to listen to however skeletal the set-up. And the glitchy, mischievous electronics that Amendola has ingeniously rustled up add welcome spice.

Tunes are mostly Amendola's - loose and pleasingly lumbering they prove. Beautifully recorded in a Berkeley California studio in 2022 the sonics poke your ears out which is what we want. And big up in the undersung mastering department for Tom Dimuzio given how immediate the sonics greet you at the door and take you to the table. Mausoleum like this album is not. Final word - 'Skip to a Stop' we playlisted today and it works a treat in context so go on have a gander as you hurtle up to speed with the rush and rumble of these non-pedantic SticklerPhonics. But they take all the time in the world however paradoxically - and that, there's a pressing thought - could even tip into being properly ironic. Fancy that.

Tags: Reviews

UK & Ireland gig choice for 6-12 May

Nikki Iles Jazz Orchestra The Grand, Clitheroe Monday 6 May 5pm Pianist, accordionist, bandleader, composer, arranger, conductor Nikki Iles' Face to Face released last year was a new career high. Released nigh on to mark Iles' 60th birthday …

Published: 4 May 2024. Updated: 13 days.

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Nikki Iles Jazz Orchestra The Grand, Clitheroe Monday 6 May 5pm

Pianist, accordionist, bandleader, composer, arranger, conductor Nikki Iles' Face to Face released last year was a new career high. Released nigh on to mark Iles' 60th birthday collaborating on the Edition label release with the mighty NDR Big Band on an album of her own music proving at times funkily flavoursome ('Red Ellen') or even nimbly laconic ('Wild Oak' - an Iles piece covered on NYJO's She Said issued in 2022), Face to Face was recorded in Hamburg in 2021 and remains a must for all big band fans and especially long term followers of this inventive composer. A pick of the whole album turned out to be the Kenny Wheeler-like turn the album takes on the poignant title track and the storming 'Awakening' although the Mike Gibbs-like ensemble flourishes found on 'Misfits' also lit the album up a good deal. UK jazzers among the Face to Face heavy hitters included flautist Gareth Lockrane who also finds himself in the very far from piddling Ribble Valley Jazz Festival line-up with Walker and Thomas among the Illes 18-piecer.

  • Stacey Kent Ronnie Scott's, Soho Tuesday 7 May, Wednesday 8 May, Thursday 9 May, Friday 10 May, Saturday 11 May, Sunday 12 May. All shows are sold out

With arrangements on latest album Summer Me, Winter Me by Stacey Kent's husband saxophonist-flautist Jim Tomlinson the anchor the album relies on tracks mine a classic era where jazz became the soundtrack of arthouse films and a certain very classy nostalgia was included for no extra charge. Opening with a breezy version of Michel Legrand and the Bergmans' 'Summer Me, Winter Me' Stacey sings in French on another Legrand classic 'La Valse des Lilas' and again you land on one of the chief plus points on a Stacey Kent record: that stately feeling of a lost era and a tempo that takes all the time in the world. Jacques Brel's 'If You Go Away' is sung in two versions, one in English one in French. Quintessential Stacey Kent then - and while not a classic in her discography (for these go to The Changing Lights or Dreamer In Concert first) this move to a new label in ultra savvy Paris indie Naïve - whose Avishai Cohen & Abraham Rodriguez Jr release Iroko we grooved to last year - still means business as usual for a remarkable singer who has a sound completely her own.

The Kinks-loving bassist Ben Crosland playing the Spin with keyboardist eminence Steve Lodder known for his work with the great Andy Sheppard, trumpeter Steve Waterman, guitarist Chris Allard whose Melodic Collective was noteworthy last year and drummer Nic France.

Trombonist Noushy (Anoushka Nanguy) with guitarist James Mackay, drummer Graham Costello, bass guitarist Ewan Hastie and keyboardist Ewan Johnston.

The serene and melodic groove-heavy big-beat bedecked Americana and electronica-tinged Dreamers are led by the renowned Polar Bear saxophonist Mark Lockheart. Note: it's guitarist John Parricelli in the band to play Leicester, with Lockheart, Tom Herbert and Dave Smith - on the 2022 record Elliot Galvin completed the quartet sound.

Radiohead loving pianist Rick Simpson with QOW Trio saxist Riley Stone-Lonergan, bassist Oli Hayhurst and drummer Will Glaser playing from No One Gets Saved (577 Records) out this month

Playing Brubeck, Rewire are saxist Martin Hathaway, pianist Tony Gooderham, guitarist Dave Whiting, bassist Sam Hollis and drummer Trevor Taylor.

Guitarist Lee Meehan's 2023 album Some of Us Are Looking at the Stars - the title of course riffing on part of what Lord Darlington exclaimed evocatively in the third act of the Dubliner Oscar Wilde's 1892 classic comedy Lady Windermere’s Fan ''No, we are all in the gutter, but some of us are looking at the stars'' - was a strong statement of intent from the swinging Irish jazzer. Meehan reminds us a little stylistically of fellow Irish ace Nigel Mooney. There's a lack of pretentiousness throughout in his approach and a skilled, knowing, concentration on big melodic statement shaped by a good deal of decorative flourish.

All conquering ragtime whisperer and all round ivories tinkler Scott Bradlee and engaging chums reliably preposterously make it along to Spice up Stoke.

Stacey Kent - photo: publicity shot - plays Ronnie's all week from Tuesday with Jim Tomlinson and Art Hirahira