Vinnie Sperrazza, Ethan Iverson, Michael Formanek, Saturday, Fresh Sound ****1/2

Recorded at Van Gelder's in September 2021 thank your lucky stars if you find this gem. Maureen Sickler's sound is incredibly warm, the piano particularly coming over like a living breathing thing. Ethan Iverson is at his very best - go for …

Published: 10 Mar 2023. Updated: 13 months.

Recorded at Van Gelder's in September 2021 thank your lucky stars if you find this gem. Maureen Sickler's sound is incredibly warm, the piano particularly coming over like a living breathing thing. Ethan Iverson is at his very best - go for 'Veiled Promise' for its magisterial quality and 'A Place Where Nothing Happens' which is a masterclass in stillness and repose in the initial piano solo. Drummer Vinnie Sperrazza (born Utica, New York in 1979) is very open - reminiscent of Jeff Williams here and when he goes up tempo on 'Sunday' again.

Communicative and in one of the ultimate examples of radical art (which jazz of course still is) containing the ability to use the unradical (ie sweet centre tonalities) to its curatorial advantage mainly achieved harmonically by what double bassist Michael Formanek brings to the table - his oblique sense on 'Just Forget It' is fantastic and Ethan does a rubato thing that makes you feel as if the ground has started shifting beneath your feet.

There's a lot to love here - 'Stephen Paul' at the beginning is very 1970s Jarrettonian - Formanek's arco feature on 'Hyman Arluck' is beautiful. I'll not bang on: Put it like this I couldn't wait to hear it again and again. 'Saturday' has a cheerfulness to it you gain on say a Gene Harris (The Three Sounds) record. Tunes are Sperrazza's and excellent they all are because they make sense. They all are easy to digest but are never trite. The sprawling 'Ellipsis' is a little less effective. Sperrazza says in the notes that the Motian homage 'Stephen Paul' the great drummer's first and middle names is ''a blues in D with 3 themes''; 'Don't Mention the War' is a Basil-ism from Fawlty Towers and that '''Hyman Arluck' is the name by which Harold Arlen was known at the beginning of his life. The melody tries to depict the pain of the early-20th century Jewish diaspora.''

'One Hour' is also on an earlier Sperrazza album Juxtaposition dating to 2017 on which Bruce Barth gone with the Gonz as well winningly, in recent years out and about, is the pianist. SG

Out today

Vinnie Sperrazza, photo: via Fresh Sound

MORE READING, LISTENING AND WATCHING:

Vinnie Sperrazza on The Jon Dryden Trio's Walk Away Renee - 2021

Michael Formanek with Peter Formanek on Dyads - 2021

Ethan Iverson interviewed - 2019

Regarding 1970s Keith Jarrett referred to above given the quality of the Paul Motian homage [Motian the drummer in what is Jarrett's usually-referred-to American Quartet with Dewey Redman and Charlie Haden] there is an incredibly moving and brilliant Rick Beato video interview with Keith here as the great one continues his post-stroke recovery.

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Standard in focus: 'Idle Moments' - a deftly nuanced new Wayne Escoffery treatment

Kicking off our new ''standard in focus'' regular feature of standards effectively interpreted and crucially not done-to-death in recent release cycles, the first is Duke Pearson's 'Idle Moments' introduced to the global jazz canon on guitar great …

Published: 9 Mar 2023. Updated: 13 months.

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Kicking off our new ''standard in focus'' regular feature of standards effectively interpreted and crucially not done-to-death in recent release cycles, the first is Duke Pearson's 'Idle Moments' introduced to the global jazz canon on guitar great Grant Green's 1965 released Blue Note album of the same name that has Pearson himself on piano and casual loping time-feel drumming from Al Harewood. The only other recent version we know is back in 2020 delivered by The Toughest Tenors. It lacked a certain sparkle.

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That was then - this is now. Tenor saxist Wayne Escoffery is a lodestar, Mike Moreno provides the empathetic guitar part and David Kikoski is as pristine as ever on piano while the bassist is Ugonna Okegwo who was tremendous on the 5-star Tom Harrell record Oak Tree issued last year. The time feel provided by Mark Whitfield Jr is very faithful to Harewood's conception back in the 60s. Escoffery is a highly expressive player. Hearing him play with The Mingus Big Band a few times down the years, most memorably at Ronnie Scott's in 2016 up front in the sax line alongside altoist Mark Gross Escoffery that distant Wednesday night noteworthy for his sheer tone, command and ease on the bandstand. He isolates the very essence of 'Idle Moments' and honours the tune so knowingly. Wayne Escoffery, photo: Like Minds cover art detail

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