Wandering Monster, Zenna, Ubuntu ***1/2

There's a hymnal sense to Richard Harrold's piano part at the beginning of 'A Beautiful Blur' that opens this latest album from Leeds 5-piece Wandering Monster the bass line from Sam Quintana who leads the band that follows allowing time for …

Published: 16 Jul 2023. Updated: 9 months.

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There's a hymnal sense to Richard Harrold's piano part at the beginning of 'A Beautiful Blur' that opens this latest album from Leeds 5-piece Wandering Monster the bass line from Sam Quintana who leads the band that follows allowing time for reflection. A studio album recorded in Leeds, Quintana originals are juxtaposed with covers of Jaco Pastorius and Randy Newman material. And in the Newman case the at-peace-with-itself cover of 'Cowboy,' a song of resignation that revolves around the idea of ''Too late to fight now, too tired to try,'' underlines the thoughtfulness and balm the band are so adept at generating. Often Leeds new generation jazz bands have a punkish more anarchic aspect to their style not Wandering Monster on this showing although they do become edgier in the open play of 'What We Talked About' steered by drummer Tom Higham - this new often anthemic album arrives four years on from their self titled Wandering Monster. The Zenna title track with its pristine guitar from Calvin Travers is reminiscent of the approach of Tom Ollendorff in the way Ollendorff sallies forth with Ben Wendel on Open House certainly when the tenor sax playing of Ben Powling takes up the momentum.

Out on 28 July. Wandering Monster, photo: Sophie Jouvenaar. 'Zenna' is streaming

Tags: Reviews

Joachim Kühn New Trio and Atom String Quartet, Komeda: Jazz at Berlin Philharmonic XIV, ACT ****1/2

Clearly, one of the finest live recordings we have heard this year and an album that can be mentioned in the same breath as Litania, Tomasz Stańko's for the ages 1990s homage to Krzysztof Komeda, the recording spans Komeda classics drawn from the …

Published: 15 Jul 2023. Updated: 9 months.

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Clearly, one of the finest live recordings we have heard this year and an album that can be mentioned in the same breath as Litania, Tomasz Stańko's for the ages 1990s homage to Krzysztof Komeda, the recording spans Komeda classics drawn from the still jaw dropping Astigmatic and the enduring music from the acclaimed Roman Polański film Knife in the Water and his later horror classic Rosemary's Baby - the great German avant pianist Joachim Kühn on Jazz at Berlin Philharmonic XIV also includes a touching tribute to Kühn's late brother clarinettist Rolf who had died not long before this live October 2022 recording. Performed in front of an appreciative audience at the Berlin Philharmonic Orchestra's chamber music shrine the Kammermusiksaal whose responses somehow enhance one's own enjoyment, highlights are the way the Atom String Quartet become both passionate and luxuriant on 'Crazy Girl' and the warmth and humanity Kühn wraps the lesser known 'After the Catastrophe' in no matter how much he thankfully pushes towards the margins and challenges himself to find new probing insights embedded in the pieces that he then manages to winkle out. Beautifully recorded and even when you concede that there have been a few too many well intentioned but misfiring Komeda themed releases over recent years Kühn with bassist Chris Jennings and the Michael Wollny associated drummer Eric Schaefer particularly dynamic on 'Roman Two' and these wonderful strings players have found a new way in via a route few could dare attempt let alone conquer.

Eric Schaefer, Joachim Kühn, Chris Jennings, photo: ACT