Smiles all round over Joshua Crumbly's single The See

Terence Blanchard used to, maybe still does, call Joshua Crumbly ''Smiler'' and it's smiles all round hearing all the thriving on a riff that is developed on the bassist's 'The See' from ForEver following on from last year's Rise. Look for the …

Published: 23 Aug 2021. Updated: 26 days.

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Terence Blanchard used to, maybe still does, call Joshua Crumbly ''Smiler'' and it's smiles all round hearing all the thriving on a riff that is developed on the bassist's 'The See' from ForEver following on from last year's Rise. Look for the album to be released in October on the composer and multi-instrumentalist Shahzad Ismaily's figureight records.

Joshua Crumbly photo above: Drew Robinson, and top via Crumbly's Twitter

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Kazuo Ishiguro co-writes to appear on Stacey Kent's Songs From Other Places

The great jazz singer Stacey Kent has for some time been gearing up for the release of Songs From Other Places and it's looking like 17 September for the release. While the album is largely a covers album a talking point is the new songs (titles of …

Published: 23 Aug 2021. Updated: 26 days.

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The great jazz singer Stacey Kent has for some time been gearing up for the release of Songs From Other Places and it's looking like 17 September for the release. While the album is largely a covers album a talking point is the new songs (titles of which are the wistful slice of Lockdownia 'I Wish I Could Go Travelling Again', song of uneasy mysterious return 'Craigie Burn' and of playful reproach clinging on to hope 'Tango In Macao' best of all with you said we'd tango in Macao but we've done nothing of the sort the ouchiest of lines) written by longstanding collaborator literary giant the Nobel prize winning novelist Kazuo Ishiguro who writes for the singer often with Stacey's husband and saxophonist the Getzian Jim Tomlinson.

A heartbreaking, goosebumps-inducing, version of Paul Simon's 'American Tune' is streaming ahead of release and is remarkably fine (and note the way pianist Art Hirahara injects a beautifully apt touch towards the end resonating with a descending line here at the 3:47 mark that makes me think of the Beatles 'Let It Be' (0:48 mark) and a different effect to the strings-soaked There Goes Rhymin' Simon treatment of the lick. The issuing label is listed as Token, that is Jim T's imprint, as noted on the cover artwork, licensed to Exceleration on some sites for instance on Spotify although interestingly Amazon lists the release more meaningfully to record collectors and fans as Candid, now owned and hence the Exceleration connection by Exceleration Music, the label that Kent made her name with in the 1990s then run by legendary jazz producer Alan Bates when the singer started out before going on to global jazz singer stardom and tenures with EMI and Sony. Candid has been on hiatus as an active issuer of new jazz for some time but also post-sale to Exceleration has a new Eliane Elias album coming up (which is with Chucho Valdés and the late Chick Corea) to also appear next month.

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Interestingly the pianist on the new Stacey album and whose name is also emblazoned on the cover is a departure because while it's usually the Englishman Graham Harvey in recent years for instance on her last record the 2017 Okeh/Sony release I Know I Dream: The Orchestral Sessions this time is US player Art Hirahara. Art's Balance Point last year had a lovely Melissa Aldana saxophone part on the title track of his Posi-Tone album release, the track finding the pianist completely in the zone.

Stacey is playing the Old Market, Hove on 16 November