Vinyl countdown for Gnu High is on

“There was not a lot of rehearsing, we just let it happen. So my memories are: it was heads down. It is in the list of my own favourite recordings. There was a certain magic in the air.’’ - Dave Holland This month in its audiophile aimed ECM …

Published: 3 Apr 2023. Updated: 13 months.

“There was not a lot of rehearsing, we just let it happen. So my memories are: it was heads down. It is in the list of my own favourite recordings. There was a certain magic in the air.’’ - Dave Holland

This month in its audiophile aimed ECM Luminessence vinyl series initiative the German label launches its UK roll-out with a DJ night in Dalston ahead of its 28th April release of Kenny Wheeler quartet album Gnu High (1976) and Brazilian percussionist Naná Vasconcelos' album, Saudades (1980).

Bass icon Dave Holland who was on the record with Wheeler, Keith Jarrett and Jack DeJohnette told us back in 2019 that he remembered the recording in 1975 as “a concentrated six hours.’’ Kenny, he said in that same interview, was “hands off’’ unlike when he himself operated as a leader himself or for that matter Keith or Jack. “There was not a lot of rehearsing, we just let it happen. So my memories are: it was heads down. It is in the list of my own favourite recordings. There was a certain magic in the air.’’

Brilliant Corners photo: marlbank is a Japanese bar restaurant audiophile friendly venue situated a short walk from Dalston Junction railway station heading down the Kingsland Road in the direction of Haggerston. The event is on 16 April. The DJ selected to spin the cherishable vinyl is still to be announced. The restaurant opens at 6pm. Details

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Paul Dunmall Ensemble, It's A Matter of Fact, Discus ****

One of England's senior free-jazz saxophonists who is 70 next month and possesses a voluminous discography that stretches back to the 1980s, Paul Dunmall has always owned a freedom pass. Dunmall stands tall in an august list of pioneering elders …

Published: 3 Apr 2023. Updated: 13 months.

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One of England's senior free-jazz saxophonists who is 70 next month and possesses a voluminous discography that stretches back to the 1980s, Paul Dunmall has always owned a freedom pass.

Dunmall stands tall in an august list of pioneering elders still with us that would include fellow titans Alan Skidmore, Evan Parker, Courtney Pine, who provided his own overt take on spirituality last year, and Trevor Watts.

And like Manchester's Nat Birchall and breakout fellow Brum scene stars Shabaka Hutchings and Xhosa Cole (when Xhosa plays free) you can easily locate the Kent born Dunmall's sound within the triumvirate of John Coltrane, Pharoah Sanders and Albert Ayler like so many advanced spiritual players around the world enchanted by the possibilities of the sound and still nowhere near fully explored.

On It's a Matter of Fact where Dunmall in a highly arranged approach eschews the anarchy of some elements of the free sphere to place his sax in a kaleidoscopic blend with Martin Archer, Charlotte Keefe and Richard Foote in the horn section - and Julie Tippetts' voice is the real magnetic and super-wild element weaving in and out marvellously stealing the show at every turn.

The drummer here who steers the sound so well is Jim Bashford who has been tremendous in recent years with Xhosa Cole (as has bassist James Owston - the pair are on K​(​no​)​w Them, K​(​no​)​w Us). Steve Saunders' electric guitar is less obvious in the turmoil of rhythms. It's A Matter of Fact is best when it is at its most raucous as on the brassy push and pull of 'Don't Ask Why' and next track in the lashing together of 'Latu' / 'Reunion' when Tippetts goes even more operatic than elsewhere. An extremely satisfying release on so many levels it's one of the best UK originated albums of 2023 so far. Final word look in as you listen hard because the crisp and highly graphic cover art, so close-your-eyes woeful on many other clangers in the idiom in existence out there, is also ace.

MORE READING AND ESSENTIAL LISTENING:

Dunmall plays the Vortex, Dalston with both his octet and his quartet on 13 May