Gig pick - the week ahead

26 September-2 October live selection: Arun Ghosh, The Yard, Manchester Monday Capital City Jazz Orchestra feat. Dave O'Higgins, St David's Hall, Cardiff Tuesday Blue Lab Beats Hyde Park Book Club, Leeds Wednesday Colectiva 91 Living Room, …

Published: 25 Sep 2022. Updated: 19 months.

26 September-2 October live selection:

Arun Ghosh, The Yard, Manchester Monday

Capital City Jazz Orchestra feat. Dave O'Higgins, St David's Hall, Cardiff Tuesday

Blue Lab Beats Hyde Park Book Club, Leeds Wednesday

Colectiva 91 Living Room, London Thursday

Paul Dunlea, Trevor Mires, Scott Flanigan Scott's, Belfast Friday

Anita Wardell quartet Peggy's Skylight, Nottingham Saturday

Bill Charlap trio Ronnie Scott's, London Saturday

Last year Bill Charlap's Street of Dreams wasn't the kind of trio album where standards are deconstructed and the wheel is reinvented. It was the very opposite and basked in the classic, sleek, lines of the format, standards and Broadway songs as its vocabulary and treasure chest. Elegance and sophistication are written into its DNA. Charlap has immaculate touch and on the album Charlap and Peter and Kenny Washington in their long-running collaborative journey finished each other's sentences. Textbook piano trio in other words in the classic mould, this album could have been made in the 1950s or 1960s and is a period piece in that sense. Included on the album are Charlap's elegantly swinging version of Brubeck's paean to Duke Ellington 'The Duke' and a treatment of the Victor Young and Samuel M. Lewis song 'Street Of Dreams'. The inclusion of 'I'll Know,' a Frank Loesser standard from Guys and Dolls that you don't often hear so obviously these days, is a good choice. Best of all was 'Your Host' the perky Kenny Burrell composition that appeared on the 1956 album Jazzmen:Detroit. Kenny Washington's busy scuffling momentum gives the treatment a lot of life. You'll be snapping your fingers before too long.

Shifa + Bex Burch/Leafcutter John + Farida Amadou Lit and Phil, Newcastle-upon-Tyne Sunday

Top jazz singer Anita Wardell - photo: press - appears in Nottingham on Saturday night

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Bobby Broom, Keyed Up, Steele *****

Birthed in the cool finessed and caressed the record we keep coming back to at the moment is Keyed Up - if you dig, bear with us on this, Jeff Parker, and we certainly do, you will get on down to Bobby Broom. Of course stylistically both players …

Published: 25 Sep 2022. Updated: 19 months.

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Birthed in the cool finessed and caressed the record we keep coming back to at the moment is Keyed Up - if you dig, bear with us on this, Jeff Parker, and we certainly do, you will get on down to Bobby Broom. Of course stylistically both players are very different, the former the Tortoise guitarist who is both avant and alt-rock influenced - check his masterly Forfolks for instance - but whose harmonic sense is not a million miles away from Broom if you strip everything away. Best known for his work over the years with Sonny Rollins we dug Broom's work on Newk's Road Shows Vol 3 and his own My Shining Hour. Here Broom who likes to swing overtly and does it in a very sophisticated way is here with a pianist, a rarity in his discography as a leader. That player is Justin Dillard - check his work with the mighty Kahil El'Zabar - chooses piano, keys and the Hammond to comp, no mean task when you are the foil to a master of the changes like Broom.

Booker Ervin's 'Scoochie' goes back to Jazz in the Garden at the Museum of Modern Art vibist Teddy Charles' burning combo with Mal Waldron no less on piano captured by Morty Craft's Warwick label that came out in early-1961. Another highlight of Keyed Up given its padding, cushioning, percussive feel and lit up inside top line Broom axe-line voicing

Full of classics Mulgrew Miller tune 'Second Thoughts' the Messengers played in the mid-1980s when the much missed Grew, Terence Blanchard and Jean Toussaint were with Bu is the pick for us and the way Dillard introduces 'Misty' is a thing of wonder but listen how Bobby comes in like that image the poet sang ''of the cool night air like Shalimar''. The tuning is interesting on some tracks and allows very savoury appeal given the way you need to adjust your ears. Road Shows muchacho Kobie Watkins' tramping groove on 'Blues on the Corner' [there are two takes, it's the second one we were turned on to most] is perfect and swings like a mutha when he takes it up a bit. Be good to yourselves and reserve quality listening time for Keyed Up. The sweet smell of success is all around.

Out now